Digital Catching Up to Film? The Great Camera Shootout 2010 | Zacuto

August 3, 2010 in camera products, cinematography, digital video news by Jordan M.

Ok, so digital isn’t quite at the level of real film just yet.  But, it’s getting pretty darned close.  Zacuto has put together a series to demonstrate some of the new HD-DSLRs and how they stack up against some beloved 35mm film.  Their line up includes the 5D MKII, 7D, 1D, T2i, Nikon D3s, and Panasonic GH1 vs. Kodak and Fuji film scanned at both 2k and 4k.  It’s easy to see the HD-DSLRs can’t compete in terms of resolution, and they won’t compete on this front until their sensors can capture at 2k and 4k.  But in terms of straight color reproduction, wow.

Check out their whole series and see their full battery of tests:

The Great Camera Shootout 2010 – Film Vs DSLR Comparison | Zacuto.

by Josh

Canon U.S.A. introduces the EOS 5D Mark II DSLR camera featuring 1920×1080 HD video capture

September 16, 2008 in digital video news by Josh

Josh’s bottom line:

This still camera is exciting because it has a single large CMOS imaging sensor, which means the depth-of-field is similar to a film camera rather than a typical camcorder with small chips.

And it records Quicktime 1080p HD at 30 fps, around 48 minutes to a 16 GB card, or, output through HDMI (no audio though) to a portable recording device (which one?). The format is H.264 at 38.6 Mbits/sec, which should look amazing.

And, the low light performance looks great. It will be around $3500 with one lens, more as you add lenses.

There are some questions, like if it overheats when shooting video, like some other still cameras, and the best audio solution.

You can see some footage here:

http://www.usa.canon.com/dlc/controller?act=GetArticleAct&articleID=2086

and some behind-the scenes video here:

http://vincentlaforet.smugmug.com/gallery/6021407_xEg87/1/#378608891_Jd2CT-A-LB

One thing to keep in mind when watching this spectacular footage is that this dude could have shot something beautiful with a $69 Fisher-Price camera. When you are a master of lighting and cinematography, it’s not hard to make any camera look great.

Here’s a lighting course on DVD:

DV Enlightenment

However, the shallow DOF is undeniable, and the general color rendition excellent.

Here is an excerpt from the press release:

The Canon EOS 5D Mark II Escalates Full-Frame Digital SLR Photography to the Next Level with
HD Movie Recording Capabilities, DIGIC 4 Imaging Processor, and 21.1 Megapixel Resolution

LAKE SUCCESS, N.Y., September 17, 2008 – Canon U.S.A., Inc., a leader in digital imaging, today introduced the EOS 5D Mark II Digital SLR camera, the long-awaited successor to Canon’s highly popular EOS 5D, introduced in 2005. Building upon the qualities that made the EOS 5D camera so successful, Canon has coupled the creative power of a full-frame CMOS sensor in a relatively compact and affordable camera body, together with groundbreaking HD video capture that opens the door to a much wider range of imaging possibilities for photographers. Along with the ability to capture full HD video clips at 1920 x 1080 resolution, Canon’s EOS 5D Mark II Digital SLR camera features a 21.1-megapixel full frame 24 x 36mm CMOS sensor, DIGIC 4 imaging processor and significantly lower noise, with an expanded sensitivity range from ISO 50 to ISO 25,600.

Among the many advancements in Canon’s new EOS 5D Mark II camera is the Company’s proprietary DIGIC 4 Imaging Processor that powers the camera’s fast 14-bit analog-to-digital conversion for smooth color tones and exceptional gradation. The Canon EOS 5D Mark II Digital SLR offers a full-frame 24 x 36mm, 21.1 megapixel CMOS sensor. The camera includes a 15-point Autofocus (AF) sensor with nine selectable AF points plus six additional Assist AF points (three center AF points sensitive to f/2.8 lenses) with enhanced light source detection and AF microadjustment for greater autofocus performance. The EOS 5D Mark II camera also features a large, clear 3.0-inch Clear View LCD screen with 920,000 dot/VGA resolution, four times the pixel count of the EOS 5D camera’s 2.5-inch screen, for enhanced clarity and color when viewing images. The new camera is equipped with a high-performance, high-magnification optical viewfinder providing 98 percent coverage.

Canon, the first company to introduce a full-frame digital camera, has improved the EOS 5D Mark II Digital SLR camera’s newly developed full-frame CMOS image sensor. Utilizing proprietary Canon technology, the Company has reduced noise and expanded the sensitivity of the CMOS sensor up to ISO 25600, which is three full stops higher than the ISO 3200 limit of the original EOS 5D camera. Although the individual pixel dimensions of the EOS 5D Mark II camera are the same as the 21.1-megapixel CMOS sensor used in the EOS-1Ds Mark III digital SLR, the new sensor incorporates an improved output amplifier and a more advanced color filter that improves light transmission while retaining excellent color reproduction. By applying the same kind of advancements in sensor design and image processing technology as the recently introduced EOS 50D camera, but at higher resolution and with larger pixels, the EOS 5D Mark II achieves the highest level of image quality of any EOS Digital SLR released to date.

HD and SD Video Capture
Canon has taken its expertise in imaging, photography and video capture technology to a new level with the EOS 5D Mark II Digital SLR. Answering the question of where SLR technology is going next, the EOS 5D Mark II features 16:9 Full HD video capture at 1920 x 1080 pixels and 30 fps as well as 4:3 standard TV quality (SD) video capture at 640 x 480 pixels and 30 fps, both capabilities appearing for the first time in a Canon SLR camera. Video capture is part of the camera’s Live View function, using the Picture Style that has been set for Live View still image shooting. This allows skilled photographers and cinematographers to adjust image sharpness, contrast, color saturation and white balance, and have those settings apply to the movie image. When recording video, the camera’s rear LCD screen can be letter-boxed by a semi-transparent border to match the aspect ratio of the movie recording size. Moreover, the EOS 5D Mark II camera’s HD video capability enables new levels of creative expression through its unfettered access to the complete line of more than 60 Canon EF lenses, which provide an incredible variety of visual effects including everything from ultra-wide-angle and fish-eye to macro and super-telephoto, including many large-aperture L-series professional lenses that can keep the main subject in razor-sharp focus while blurring the background beyond recognition.

The EOS 5D Mark II will record video up to 4GB per clip or a maximum continuous movie capture time of 29 minutes and 59 seconds, whichever comes first. Depending on the level of detail in the scene, a 4GB memory card can record approximately 12 minutes of video at full HD resolution or approximately 24 minutes in standard definition[i]. Video clips are recorded in .MOV format using an MPEG-4 video compression and sound is recorded using linear PCM[ii] without compression. The new camera features an input terminal for external stereo microphones as well as a built-in monaural microphone for convenience. To help show off those fantastic movies as well as still photos, the EOS 5D Mark II camera includes an HDMI (High-Definition Multimedia Interface) output to display crisp, clear images on a High-Definition TV.

Auto Lighting Optimizer
Canon’s enhanced Auto Lighting Optimizer technology helps ensure each picture’s subject is clearly visible by analyzing image brightness and automatically adjusting dark areas in images so that they appear brighter. This function is ideal in high-contrast situations such as urban landscapes captured on sunny days, where the tops of buildings are brightly lit while street level details are obscured by heavy shadows. In this type of scene, the 5D Mark II camera’s Auto Lighting Optimizer technology preserves accurate exposure of the highlights while opening up the shadow areas for a more pleasing tonal rendition.

by Josh

Three new HD AVC format camcorders from Canon

August 12, 2008 in cinematography, digital video news by Josh

cCanon announced the VIXIA HF11 Dual Flash Memory Camcorder, and the VIXIA HG21 and VIXIA HG20 Hard Disk Drive camcorders.

The newest members to the VIXIA HD camcorder family incorporate 24Mbps bit rate recording – the highest possible bit rate in the AVCHD format.

The VIXIA HF11 Dual Flash Memory camcorder can record up to 12 hours of High-Definition video to a 32GB internal Flash drive, as well as record directly to a removable SDHC card for expanded recording time.

The VIXIA HG21 and VIXIA HG20 camcorders feature 120GB and 60GB Hard Disk Drives, respectively, for recording up to 45 or 22 hours of HD video, and also offer the ability to record directly to an SDHC card.

VIXIA Core Technologies
All VIXIA camcorders feature Canon core technologies to create HD video that possess the highest level of image quality – a Genuine Canon HD Video Lens incorporates over 70 years of optics experience in professional broadcast and photography; a Canon designed and manufactured HD CMOS Image Sensor for Full HD (1920 x 1080) image capture; the Canon-developed DIGIC DV II Image Processor for superior color and clarity; Instant AutoFocus for fast and accurate auto focusing, which is crucial for HD; and SuperRange Optical Image Stabilization, which corrects a wide range of camcorder vibration for virtually shake-free images.

The ability to shoot video directly to an internal drive or to a removable SDHC memory card allows Canon camcorders to deliver a new level of performance, style and flexibility. Internal memory enables consumers to record video to the camcorder’s built-in drive even if they do not have an SDHC card handy. When the internal drive becomes full, footage can be easily transferred to an SDHC memory card, and when it comes time to view their video, the card is simply inserted into a memory card reader in a computer or HDTV for instant viewing. Furthermore, having an SDHC memory card slot allows for expandability, since greater capacity can be added in the future by purchasing additional cards.

Availability and Pricing
Available in September, the Canon VIXIA HF11 Dual Flash Memory Camcorder, and VIXIA HG21 and VIXIA HG20 Hard Disk Drive camcorders will have a suggested selling price of $1199, $1299, and $949, respectively. All models come bundled with Pixela ImageMixer 3SE video editing software, which now supports Blu-Ray disk burning.

by Josh

Canon XL H1S

April 14, 2008 in broadcast, broadcast products, camera products, digital video news, film by Josh

New 20x HD Video Lens, Enhanced Image Control and Other Refinements
LAKE SUCCESS, N.Y., April 10, 2008 – Building on the success of its acclaimed XL H1 High Definition (HD) camcorder, Canon U.S.A., Inc., a leader in digital imaging technology, has introduced the new shoulder mount XL H1S and XL H1A HD camcorders, which include new advanced features requested by professional users for improved operation and image control.