If you’ve ever realized that you logged your footage with the wrong log clip settings, here’s a great tip that’ll solve it for you.

Click here to ask a question about Final Cut Pro workflows.
For more info, check out:
If you’ve ever realized that you logged your footage with the wrong log clip settings, here’s a great tip that’ll solve it for you.

Click here to ask a question about Final Cut Pro workflows.
For more info, check out:
Have you ever found yourself changing the file names of a whole folder of clips, graphic or other files on your hard drive one by one? Here is a Warp Speed Workflow showing how to change hundred of files names in one click.
Click here to ask a question about Final Cut Pro workflows.
For more info, check out:
If your projects are going to be delivered on DVD or broadcast, it’s important to have an accurate studio monitor on your desk so you can see your project as your viewers will see it while you’re editing.
Why?
First, many editing programs show you a low quality “proxy” of your timeline, so you can’t judge color correction, brightness, saturation, contrast, how titles or graphics will look, or any other aspect of the picture accurately.
Can I just enable a second computer monitor to show video and that will work?
With some editing programs, you can enable a second monitor to show a …
Q: I’ve deleted the audio, or video portion of a clip in my Final Cut Pro timeline. But now I want it back. What is the DVcreators.net Warp Speed Workflow™ way?
It’s called “Match Frame and Replace.” click below to watch the movie.
Click here to ask a question about Final Cut Studio workflows.
Notable points:
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If you’ve ever chosen the wrong reel name, or entered the wrong reel name on accident here is a cool tip to show you how to fix that.
Click here to ask a question about Final Cut Studio workflows.
A frequently asked question by new Final Cut users is about creating titles and not being able to see changes as they make them. This movie shows how to see changes while editing your title, all in real-time! Wa-Hoo!
Click here to ask a question about Final Cut Pro.

The First Card for OS X & Final Cut Pro to Offer HD, SD Analog & Digital I/O
Not an entry-level card, KONA LHe offers a full ride to HD with no-compromise, 10-bit uncompressed video, 2-channel AES and 8-channel embedded audio, analog composite/component video I/O, 2-channel analog audio I/O, broadcast-quality hardware downconversion and TBC on analog inputs. KONA LHe bridges the analog and digital worlds by offering I/O for both. A lot of card for a low price, KONA LHe also features dual-monitor desktop viewing for editing ease. The KONA …


HD … anywhere you want it.
AJA’s Io HD is the latest in the award-winning Io family of products—an effortless to use, transportable plug-in solution for working with HD and SD in Final Cut Studio 2. With a single FireWire 800 connection, Io HD uniquely supports the amazing new Apple ProRes 422 Codec natively, in hardware, to bring production-quality HD editing to the Mac Pro desktop and even the MacBook Pro laptop!
Io HD is the only device in the world that supports Apple’s ProRes 422 codec in hardware, enabling true 10-bit video …

Logickeyboard’s custom keyboard for Apple Final Cut Pro / Express, is based on the original Apple Pro keyboard. It offers plug-and-play setup with any current or recent USB-equipped Apple computer, with good feel and stylish appearance.
The custom keyboard for Final Cut Pro / Express makes Final Cut editing with the keyboard a lot simpler and faster. It is ideal for post-production facilities, professional video editing houses, and anyone else who requires all the custom key commands to readily accessible from a dedicated, clearly labeled, color-coded keyboard. Using this keyboard is …
FxFactory Pro is first choice for any FxFactory user looking for the richest combination of plug-ins and features.
150 Plug-ins Included…

The Motu V4HD
Feature highlights


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Watch the movie below for the probable solution.
When you trim a clip, there is (usually) “extra” media before and after the part of the clip you want in your timeline. (That’s what trimming does, allows you to select a portion of a clip that will show in your movie)
COOL TIP: If you select the Slip tool by pressing “S”, and click on a clip in the timeline, you’ll see a brown outline showing you the extra media on either side of your “trimmed” clip.
Another way to see what handles are on your clip is by double clicking it, then noticing …
I have shot multicam concerts locking up timecode by beaming wireless audio SMPTE timecode to all cameras and recording it on Ch 2, but I can tell you it was a big hassle and a waste of time.
My recommendation for multi-camera shoots is to either:
1. Use TOD (Free Run) Timecode
TOD (Time of Day) timecode is a switchable option on some recent camcorders. With this option, you can synchronize multiple cameras, then each camera can start or stop at will, and the timecode always reflects the current time, not the tape position, so the …
There have been many people trying to import various types of video files into Final Cut Pro- H.264, MPEG1, Sorenson, AVI etc. Sometimes the clips might sputter through… but often, they’ll redline and not play at all- or even crash the program, and possibly corrupt your project file.
Download the free trial of DV Kitchen! to batch convert video files to DV or any other editing format.
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