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NOW AVAILABLE THROUGH DVcreatorsUniversity!
DVcreators.net has been known as the world leader in Final Cut Pro training since the day Final Cut Pro 1.0 was released.
We were the training company Apple chose to help launch Final Cut Pro with training on disc, in workshops in over 60 cities and all major trade shows. We have taught alongside Randy Ubillos, the creator of Final Cut Pro (and talked him into adding some cool features to the application!). We’ve helped hundreds of thousands …
This is a common question and there are several answers:
First, the Final Cut Pro Canvas usually shows titles and graphics more pixelated and lower quality than the actual quality. Render a title and play it on a real monitor - or render and export a 10 frame test to disk and view to see the true picture.
Read these articles on monitoring: http://www.dvcreators.net/tag/monitoring/ for more info.
If you are rendering to the DV codec, you will see an instant drop in quality. But don’t worry, as long as you export to a lossless codec your final project will look great.
In 1998, I remember hearing about a new editing program called “Key Grip”, written by Randy Ubillos, the creator of Adobe Premiere. It looked like a nice blend of Avid/Premiere-style non-linear editing and After Effects-style keyframing, two programs I had picked up in their 1.0 versions and used for tons of projects.
At NAB 1998, I was ushered to an underground room at NAB, where Randy was demoing the program on Mac and Windows, since renamed “Final Cut”. I met Randy and some of the development team.
In February of 1999, my …
http://www.webpagepublicity.com/free-fonts.html
http://www.alvit.de/blog/article/20-best-license-free-official-fonts
fontfreak
This article lists others
WARNING: Do not go crazy and download every free font, then spend days organizing them and printing sample sheets. You will become obsessed with your font collection rather than getting work done. Instead just grab a font when you need it for a project!
Search for fonts here: typeindex
I remember heading to dinner 6 or 7 years ago with Randy Ubillos, creator of Final Cut Pro, telling him my vision for a future FCP update- incorporating some pre-production elements like storyboarding, in which the user would link captured clips to a storyboard frame, then FCP would rough cut the project together automatically, with multiple takes being multiclips so they could be easily compared.
Now, it’s possible Apple is patenting some storyboarding processes to incorporate into FCP?
Check out the whole article here.
For more info, check out:
If you notice a loss of connectivity between Final Cut Pro or Final Cut Express and your camcorder or deck after upgrading your versions of Mac OS X and QuickTime, here’s what you can do to resolve the issue.
…
When you’re finished with your edit, how should you export?
Well, it depends.
METHOD #1. Reference movie
If you want to export a temporary file as quickly as possible, export a reference movie.
File > Export > Quicktime Movie
UNcheck “Make Self-Contained”
Pros:
Cons:
…
Final Cut (and other editing apps) will accept many kinds and formats of audio for import into the Browser or Timeline.
However, just because they will, doesn’t mean you should! 
If you import compressed audio, for example, in MP3 or AAC codecs, or audio in a different bit or sample rate than your Timeline (such as 44.1 KHz, 32 KHz or 12-bit), you will often hear clicks, pops, and audio dropouts while editing, which is distracting for your creative process, and in many cases your audio will require rendering before you can even hear it, which sounds like “beep-beep-beep-beep” and wastes …
Q: I have 10 zillion titles in my Final Cut Pro project. I just changed my mind and want to change them all to a different font.
What is the DVcreators.net Warp Speed Workflow™ way to do this?
For more info, check out:
| Downloads 1308Here’s a quick tip (under 40 seconds) for instantly adding a soft glow to titles in Final Cut Pro or Express - without going into LiveType or Motion.
For more info, check out:
| Downloads 1203When you’re EDITING, you can make good decisions just watching the Canvas Window on your laptop.
But for color grading, it’s critically important to watch your show on a monitor that’s displaying an accurate image. Monitoring is important because all your color grading work is going to be off if the monitor you’re watching while you work is not telling the truth.
Think of all the ways viewers might watch your project. If you’re delivering on DVD, your show might be watched on plasma or LCD TVs, projectors, or older CRT TVs - but they also might be watching the DVD on …
You’re shooting with your new HDV or HD camcorder, and the footage looks amazing! But are you really seeing the full picture?
Not unless you’re looking at a high definition monitor. But professional HD monitors are still expensive.
So, here’s an idea:
You can buy a LCD TV/computer monitor (the lines are being blurred more every day) that can be used for three different purposes:
1. While shooting, you can run component (like from the Canon XL H1 or XH A1) out of your camera into component input on the LCD to monitor what you’re shooting in full, pixel-for-pixel …
If you’ve ever realized that you logged your footage with the wrong log clip settings, here’s a great tip that’ll solve it for you.
| Downloads 406Click here to ask a question about Final Cut Pro workflows.
For more info, check out:
Have you ever found yourself changing the file names of a whole folder of clips, graphic or other files on your hard drive one by one? Here is a Warp Speed Workflow showing how to change hundred of files names in one click.
| Downloads 872Click here to ask a question about Final Cut Pro workflows.
For more info, check out:
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