Sign up now for one of our renowned Final Cut Pro 6 Hands-On workshops in Santa Monica. This is the last workshop before the New Year!
This in-depth look at Final Cut Pro 6, taught by FCP expert and accomplished instructor Larry Jordan, is ideal for anyone wanting to truly master editing with FCP, from those just starting out, to experienced FCP editors wanting to solidify and strengthen their editing skills.
This class covers basic to intermediate levels of editing, motion graphics and audio sweetening with Final Cut Pro 6. It will also cover working with …
NOW AVAILABLE THROUGH DVcreatorsUniversity!
DVcreators.net has been known as the world leader in Final Cut Pro training since the day Final Cut Pro 1.0 was released.
We were the training company Apple chose to help launch Final Cut Pro with training on disc, in workshops in over 60 cities and all major trade shows. We have taught alongside Randy Ubillos, the creator of Final Cut Pro (and talked him into adding some cool features to the application!). We’ve helped hundreds of thousands …
If you notice a loss of connectivity between Final Cut Pro or Final Cut Express and your camcorder or deck after upgrading your versions of Mac OS X and QuickTime, here’s what you can do to resolve the issue.
- Remove QuickTime receipts:
- Go to /Library/Receipts/
- Locate the QuickTime receipts files.
- Select all QuickTime receipts that have version numbers as part of their names (but don’t select the other QuickTime receipts). Here’s an example of what they look like (you may have different receipts on your computer):
- Drag the selected receipts to the Trash.
- Download and install the latest version of QuickTime
…
When you’re finished with your edit, you almost always will want a very high quality standalone movie exported.
This way, now or anytime in the future, you can:
- encode this movie to x264, H264, FLV or WMV (or any other format) with DV Kitchen
- drag it into DVD Studio Pro or iDVD to author an SD DVD
- import it into Encore or Toast to author a Blu-Ray DVD
- take it on a Firewire drive to a dub house to transfer to a broadcast format for cable/satellite, or for a film festival
- or any other conceivable use.
You can copy the exported movie to a cheap terabyte …
Final Cut (and other editing apps) will accept many kinds and formats of audio for import into the Browser or Timeline.
However, just because they will, doesn’t mean you should! 
If you import compressed audio, for example, in MP3 or AAC codecs, or audio in a different bit or sample rate than your Timeline (such as 44.1 KHz, 32 KHz or 12-bit), you will often hear clicks, pops, and audio dropouts while editing, which is distracting for your creative process, and in many cases your audio will require rendering before you can even hear it, which sounds like “beep-beep-beep-beep” and wastes …
Q: I have 10 zillion titles in my Final Cut Pro project. I just changed my mind and want to change them all to a different font.
What is the DVcreators.net Warp Speed Workflow™ way to do this?
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Here’s a quick tip (under 40 seconds) for instantly adding a soft glow to titles in Final Cut Pro or Express - without going into LiveType or Motion.
postcode: 3.45
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When you’re EDITING, you can make good decisions just watching the Canvas Window on your laptop.
But for color grading, it’s critically important to watch your show on a monitor that’s displaying an accurate image. Monitoring is important because all your color grading work is going to be off if the monitor you’re watching while you work is not telling the truth.
Think of all the ways viewers might watch your project. If you’re delivering on DVD, your show might be watched on plasma or LCD TVs, projectors, or older CRT TVs - but they also might be watching the DVD on …
You’re shooting with your new HDV or HD camcorder, and the footage looks amazing! But are you really seeing the full picture?
Not unless you’re looking at a high definition monitor. But professional HD monitors are still expensive.
So, here’s an idea:
You can buy a LCD TV/computer monitor (the lines are being blurred more every day) that can be used for three different purposes:
1. While shooting, you can run component (like from the Canon XL H1 or XH A1) out of your camera into component input on the LCD to monitor what you’re shooting in full, pixel-for-pixel …
If you’ve ever realized that you logged your footage with the wrong log clip settings, here’s a great tip that’ll solve it for you.
| Downloads 230
Click here to ask a question about Final Cut Pro workflows.
Have you ever found yourself changing the file names of a whole folder of clips, graphic or other files on your hard drive one by one? Here is a Warp Speed Workflow showing how to change hundred of files names in one click.
| Downloads 490
Click here to ask a question about Final Cut Studio workflows.
If your projects are going to be delivered on DVD or broadcast, it’s important to have an accurate studio monitor on your desk so you can see your project as your viewers will see it while you’re editing.
Why?
First, many editing programs show you a low quality “proxy” of your timeline, so you can’t judge color correction, brightness, saturation, contrast, how titles or graphics will look, or any other aspect of the picture accurately.
Can I just enable a second computer monitor to show video and that will work?
With some editing programs, you can enable a second monitor to show a …
Q: I’ve deleted the audio, or video portion of a clip in my Final Cut Pro timeline. But now I want it back. What is the DVcreators.net Warp Speed Workflow™ way?
It’s called “Match Frame and Replace.” click below to watch the movie.
| Downloads 301
Click here to ask a question about Final Cut Studio workflows.
If you’ve ever chosen the wrong reel name, or entered the wrong reel name on accident here is a cool tip to show you how to fix that.
| Downloads 88
Click here to ask a question about Final Cut Studio workflows.
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