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What just happened to video on the web?
We are extremely excited to announce that DV Kitchen, the ultimate solution for publishing professional quality video on the web, is available immediately!
Click here to find out all about it and watch the new movies!
DV Kitchen’s primary focus is encoding and uploading broadcast quality, internet-friendly-bandwidth video to a website, blog, forum, or for a video podcast. You can import movies, encode them, and upload them in as few as two clicks!
The DV Kitchen Bitrate Budget Calculator is a sophisticated modeling algorithm that takes five factors into account to help you determine what your movie’s bitrate limit should be based on your particular situation.
| Downloads 229When Flash first incorporated video in version 6, they chose the “Spark” Sorenson 3 codec. A good choice, that was the best encoding quality at that time. In the following years, several companies developed encoding algorithms that were clearly higher quality.
Flash 8 then added the On2 VP6 codec, which again delivered higher quality at lower bandwidth.
Because of so many viewers had the Flash plugin, a couple years ago web video encoders found they could encode video into Flash rather than the triplicate of the past (Windows Media, Real, Quicktime).
But with the release of the H.264 standard there was still one …
Have you ever found yourself changing the file names of a whole folder of clips, graphic or other files on your hard drive one by one? Here is a Warp Speed Workflow showing how to change hundred of files names in one click.
| Downloads 874Click here to ask a question about Final Cut Pro workflows.
For more info, check out:
Notable points:
…
There have been many people trying to import various types of video files into Final Cut Pro- H.264, MPEG1, Sorenson, AVI etc. Sometimes the clips might sputter through… but often, they’ll redline and not play at all- or even crash the program, and possibly corrupt your project file.
Download the free trial of DV Kitchen! to batch convert video files to DV or any other editing format.
Features:
* Deinterlace movies (half height/normal height/double frame rate/blend,adaptive/simple). * Change field dominance (for PAL films with fake interlace). * Reinterlace from one or two movies. * Standards conversion (PAL< ->NTSC or custom). * Inverse telecine. * Trim, shift, simple color correction, noise reduction. * Change encoding (RGB gamma, video range/full range). * Fix jagged edges. * Pitch preserving sound track for half speed. * Change movie speed, reverse movie. * Interlaced in/out, progressive in/out. * Includes utility to view and edit image description extensions * Separate utility for NTSC->PAL inverse telecine
to download, click here
I have not tried this… post …
This seems like a popular question lately, here is a likely culprit:
In Compressor 2.0, all Apple’s supplied presets seem to have Field Dominance set to "Top First" (aka "Upper Field First"), as you can see here. I went through a few and they were all set this way.
Since DV camcorders capture video lower field first, FCP capture presets and sequence presets are lower field first, as they should be, so interlaced fields proceed in order. However, when encoding video with Compressor, the field order is reversed, leading to very unpleasant, …
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