The PSA1 is a studio boom arm for radio, broadcast, studio and home use.It supports microphones weighing up to 2kg, and provides full 360 degree rotation.

The PSA1 has a horizontal reach of 820mm, and a vertical reach of 840mm. It is supplied with velcro cable wraps and both desk-clamp and desk-insert style attachments for verstile mounting in desks up to 55mm thick (clamp) or 70mm (insert).

PSA1 Studio Boom Arm - SPECIAL BUNDLE PRICE DURING CHECKOUT WHEN PURCHASED W/ PODCASTER

Availability: Usually ships same/next day

Price: $99

PSM-1

The perfect suspension shock mount for the Podcaster, the PSM-1 removes the ability for external vibrations to manipulate the microphones positioning.

The PSM-1 gives you a sense of confidence when using the Podcaster in environments where there is a lot of movement that may interfere with the microphones performance.
PSM1 Shock mount for PodCaster

Availability: Usually ships same/next day

Price: $39

DVcreator Location Sound Package 1:

RODE NTG-2 Shotgun

RODE 10′ Boom Pole

K-TEK Zeppelin Fuzzy Windscreen – Foam wrapped with fur

RODE Shockmount – Mounts on camera hot-shoe or boom pole!

Audio Technica Premium AT8314 XLR cables- Audio Technica 20′ and a short 1.5′ XLR cable (for on-camera use).

All this for just $499! Save over $200 !!

Everything you need to capture high-quality audio

DVcreator Location Sound Package
Availability: Usually ships same/next business day
Regular $680 Package Price: $499.00

Final Cut (and other editing apps) will accept many kinds and formats of audio for import into the Browser or Timeline.

However, just because they will, doesn’t mean you should!

If you import compressed audio, for example, in MP3 or AAC codecs, or audio in a different bit or sample rate than your Timeline (such as 44.1 KHz, 32 KHz or 12-bit), you will often hear clicks, pops, and audio dropouts while editing, which is distracting for your creative process, and in many cases your audio will require rendering before you can even hear it, which sounds like “beep-beep-beep-beep” and wastes a lot of your time.

Our solution is to batch convert all audio to 48KHz, uncompressed, stereo or mono for editing before importing.

We use DV Kitchen for this, it comes with a preset already designed for this.

The Sony UWP Series UHF synthesized wireless microphone system. Package includes a lavalier microphone, bodypack transmitter, plug-on transmitter and a portable tuner. Mounting adapter for camcorder included. Channels 30 to 33. The UWP-V6 includes extremely robust metal construction, mic/line input selection on the bodypack and plug-on transmitters, a miniature metal body omni-directional lav microphone and plus the receiver includes a convenient auto channel scanning function allowing automatic search for unoccupied channels.

Consists of a omni lavalier microphone, bodypack transmitter, plug-on transmitter and portable tuner

Suitable for a wide range of applications, from news gathering and interviews to talk shows and conferences

The bodypack transmitter is supplied with a belt clip

The lavalier microphone is supplied with a windscreen and mic holder clip

The plug-on transmitter can be used to convert an XLR type wired microphone into a wireless microphone

The tuner is supplied with a shoe-mount adaptor (for camcorder mounting) and 2 cables (3-pole mini-plug/XLR and 3-pole mini-plug/stereo mini-plug)

Availability: Usually ships same / next business day

Regular price: $949
Our Price: $730 Save !!!

Also available, the Sony UWP-V6 Wireless system without the plug-on transmitter.

Availability: Usually ships same / next business day

Our Price: $525

The R-09HR is a professional, high-definition recorder that travels light and performs like a heavyweight. With crystal-clear 24/96 fidelity, the R-09HR is the new flagship of EDIROL’s award-winning R-series recorders.

24-bit/96kHz linear PCM high-resolution, low-noise recording
Newly developed Isolated Adaptive Recording Circuit (I.A.R.C.)
High-grade, high-sensitivity stereo condenser microphone built in
Records to SD or SDHC memory card (Up to 8 GB)
Compact, hand-held body for convenient portable use
Wide view-ability on large OLED (Organic Light-Emitting Diode) display
Preview speaker built in
Wireless remote controller included
High-speed file transfer via USB 2.0 connection to computer
Cakewalk “pyro Audio Creator LE” wave-editing software included

Edirol R-09HR Hand Held Stereo Recorder

Availability: Usually ships same/next day

Price: $399

Building on the success of the R-1, the R-09 takes many of the most desired features — 24-bit uncompressed recording and a built-in stereo mic — and shrinks it all down into a more streamlined, stylish, and affordable package.

24-bit/48kHz (or 44.1kHz) linear PCM recording

Ultra portable, half the size of the R-1

Up to 320 kbps MP3 recording

Records to SD card

Isolated Adaptive Recording Circuit (I.A.R.C.)

High-grade stereo condenser microphone built in

Mic and Line audio inputs

High speed file transfer via USB 2.0 connection to computer

Easy operation, user-friendly graphic display

Time & date stamp

Long battery life (4 hour recording with AA alkaline type x 2)

Edirol R-09 Hand Held Stereo Recorder

Availability: Usually ships same/next day

Price: $399

FREE 1GB SD UPGRADE! – 980 Minutes at 128kbps

HHB FlashMic DRM85 Digital Recording Microphone now $999

The HHB FlashMic is the world’s first professional digital recording microphone. Combining a high-quality, Sennheiser omni-directional condenser capsule with an inbuilt, broadcast-quality Flash recorder, FlashMic is a convenient, easy to operate and durable recorder that’s perfect for press and broadcast journalism, or any other voice recording application. With no messy cables, just one button press is all it takes to start recording in either linear or MPEG 2 formats. Simple ‘drag and drop’ file transfer at up to 90x real time to a Mac or PC for editing or onward transmission is enabled by a ‘plug and play’ USB connection. Two AA batteries provide more than 6 hours continuous power and, with a 0 – 10 seconds pre-record buffer and 1GB of flash memory, you can be sure that you’ll never miss a word of that important interview with a FlashMic. KEY FEATURES Convenient, portable and extremely easy to use Rugged build quality, designed to withstand the rigours of portable recording High-quality, omni-directional Sennheiser condenser microphone capsule for broadcast-quality recording Very high quality microphone preamplifier with full manual or automatic gain control (AGC) 1GB Flash memory for digital audio data Maximum record time of over 18 hours (see over for table of record times) LCD display with backlight for time, level and status information USB-Interface for transfer of audio data (configured as a mass storage device), also used for configuration presets and FlashMic firmware updates Headphone amplifier with volume control 9 user templates can be configured externally using the FlashMic Manager PC/Mac software supplied Real time clock, time-date updated when linked to host PC/Mac Uses 2 x AA batteries – either primary cells or rechargeable Battery remaining indicator with visible low battery warning Battery life greater that 6 hours (1500mAh primary cells) Pre record buffer adjustable from 0-10 seconds Records linear 32 or 48kHz, or MPEG 1 Layer 2 encoded audio (128- 384 kbps) Records broadcast .wav files linear (including time stamp) or .mp2 MPEG encoded Simple mode of operation where presets from external PC/Mac templates can be recalled Expert mode of operation where all variables are accessible on the FlashMic Record time remaining indicator with low time remaining visible warning Switchable high pass filter, 12dB/octave @ 100Hz A Complete Package The FlashMic comes complete with a pouch, stand clamp, USB cable, FlashMic Manager software and 2 x AA batteries Functions FlashMic Manager PC/Mac software (supplied) allows FlashMic functions to be configured and stored in 9 user presets. Presets can be set-up and then downloaded to non-volatile memory in the FlashMic via its USB port. Function 1 Select record mode (see table below). Function 2 Pre record buffer adjustable from 0 – 10 seconds in 2 second steps. Function 3 Record volume, set to either AGC (Automatic Gain Control) or a manual figure 0 –100. Function 4 High pass filter (12dB / Octave @ 100Hz) on or off. Function 5 LCD display backlight – on or off. Function 6 Enable configuration in DRM85. When set to ‘Yes’, EXPERT mode is engaged and functions 1-5 may be configured from the mic itself. If this parameter is set to NO, then all presets are fixed and none of the above settings can be altered from the mic. BWF/MPEG file information can be entered in the fields on the right hand side of the GUI. This will then be written into the extensions in the audio file to enable easy identification of recordings. The headphone volume is not controlled by the GUI and not stored in a preset. It can be manually adjusted from the mic via a rotary control. Recording Times Record Mode Audio Format Sample Rate MPEG Bitrate Recording Time LIN48K Linear PCM 48 kHz – – 3 hrs 00 mins LIN32K Linear PCM 32 kHz – – 4 hrs 30 mins MP384 MPEG1 Layer 2 48 kHz 384 kbps 6 hrs 00 mins MP256 MPEG1 Layer 2 32 kHz 256 kbps 9 hrs 00 mins MP192 MPEG1 Layer 2 48 kHz 192 kbps 12 hrs 15 mins MP128 MPEG1 Layer 2 32 kHz 128 kbps 18 hrs 15 mins Connectivity FlashMic has a built in USB port for fast transfer of recorded data to a computer. Both USB 1.0 and USB 2.0 protocols are supported. The headphone socket accepts a standard 3.5mm jack. The mono signal from the A/D converter is sent to both channels of a stereo input. The output from the headphone socket can also be connected to the analogue line-in on any soundcard, should external recording be required.

MHHB DRM85 Flashmic

Availability: Usually ships same/next business day

Regular price: $1049
Our Price: $999.00

AT4073a
Line + Gradient Condenser Microphone

The AT4073a sets new standards in small size and light weight. With an overall length of just 9.13” and weight of just 4.0 oz, the mic adds virtually no heft to the end of a fish pole or the top of a minicam. Through the use of an advanced, propriety Audio-Technica design, the interference tube of the AT4073a provides a narrow acceptance angle that would require a tube 50 percent longer using conventional technology. Audio-Technica has pioneered a unique interference tube design* in the AT4071a and AT4073a shotgun mics that provides the same directivity as mics up to 50 percent longer.

• Designed for critical long-distance pickup in broadcasting, film/TV production and theater sound reinforcement applications
• Direct-coupled, balanced output ensures a clean signal even in high-output conditions
• Exclusive acoustic design* provides same directivity as mics up to 50% longer
• Switchable 150 Hz hi-pass filter
• Rugged housing made of lightweight structural-grade aluminum alloy

AT4073a

Availability: Usually ships same/next day
Price: $999

K-Tek Fuzzy Windscreen Zeppelin Medium

Availability: Usually ships same/next day

Price: $99

This wind screen is included with the DVcreator Location Sound Package1

The M3 is an extremely versatile microphone that is at home in the studio, on location, or wherever a low-noise wide-response cardioid condenser microphone is demanded.
An end address condenser microphone, the M3 features a heavy-duty metal body, category leading low self-noise, three stage PAD (O, -10db, -20db), a battery status LED and a High Pass Filter.

The M3 also comes complete with windshield and a stand mount, and can be powered via a 9V battery or 24-48V Phantom.

• Rugged metal body
• Internal capsule shock mount
• Switchable High-Pass Filter @ 80Hz-12dB/Oct
• Three step PAD – Flat, -10dB and -20dB
• Low handling noise
• Heat treated high strength head mesh
• 9V battery power or 24/48V phantom power
• Battery status indicator

Rode M3

Availability: Usually ships same/next day

Price: $199

The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries.

The NTG-1 provides an electronically balanced output stage and operates on 48 V to the P48 standard. If your camera does not have built-in phantom power see the RODE NTG-2. The NTG-1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it ideal for mounting directly to video cameras (with optional accessories) or a Boom pole.

The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Optional accessories are available for more demanding applications.

Rode NTG-1 Shotgun Mic

Availability: Usually ships same/next day

Price: $249.95

Over a year ago I had the opportunity to examine a little shotgun mic from Sennheiser called the ME36. We’re talking tiny – look at your pinky finger and imagine a shotgun mic that small! This little wonder was initially released as a podium mic and that is where it has existed its moderately successful life. Well…I thought it would make an awesome on-camera mic if they would make a few changes.

In my testing I found the ME36 to be warm and natural sounding yet surprising directional. I waved it around and “Whooomp!” Overly sensitive on the low end with any movement. The mic definitely needed a high pass filter or “low end cut” to remove the rumble that made my headphones bottom out.

The bigger question was, how would this mount to a camera via the accessory shoe mount? No one had a shockmount even close to this small. And – how could we get power to this mic on a consumer/prosumer camcorder – the ME36 requires phantom power. Also, how would we get from the propriety mini XLR over to an 1/8″ miniplug?

Well, Sennheiser engineers listened and answered all these question. Here you are seeing a pre-release version of the new Sennhesier MKE400 camcorder microphone.

This folks, is going to be a killer mic for smaller cameras like the Canon HV20. You see, even the highly popular, extremely successful RODE Videomic can seem overwhelming on a palm-sized camcorder. It can also remind people they’re on camera. When you have a mic this small, you can really be unobtrusive and “blend in”. From what I’ve heard so far, the unit will be powered for 300 hours by a single AAA battery. There will also be XLR support and the unit will weigh less than 3oz. Amazing sound in a small package! Good things are yet to come!

Sennheiser MKE400

Availability: Currently back ordered/Please contact us for expected ship dates

Price: $199.00

Sennheiser MZW400 Kit

Professional accessory kit for use with the MKE 400 Shotgun microphone

Kit Includes-

1- MZW 400 Windshield with attached “Hairy Cover”

1- 3-pin XLR adaptor

MZW400 Accessory kit

Availability: Usually ships same/next day

Price: $49.00

The MDR-7506 is a large diaphragm foldable headphone designed for professional aduio monitoring. These head phones are designed to be worn for hours, with no comfort issues. Their reputaion speaks for themselves.

• Closed Ear Desing
• Foldable for compact travel
• Durrable design
• 1/4″ TRS Stereo and 1/8″ TRS Stereo Plugs
• Gold conection for Maximum audio quality
• A Protective Storagebag is included

Specsifications:

• Driver Diameter (mm)- 40.0
• Frequency Respnse- 10-20K Hz
• Imedance- 24 Ohms
• Sensitivity- 106 DB/W/m
• Weigh-t 8.1 Oz

Sony Professional MDR-7506 Headphones
Availability: Usually ships same/next business day
Regular $130.00 Our Price: $99.00

–>

1. Download iTunes from Apple
2. Double click iTunes Setup.exe to install
3. Launch iTunes
4. Go to the Edit Menu > then click Preferences
5. Click on the Advanced tab
6. Then click on the Importing tab
7. Now, in the “Import Using” dialog box, choose .WAV Encoder.
8. Then in the “Setting” dialog box, choose “Custom”
9. For “Sample Rate” choose 48 kHz.
10. For “Sample Size” choose 16-bit.
11. For “Channels” choose Stereo.
12. Then click OK.
13. Then OK again, to close the Preferences Box.Now your preferences are set up to convert audio files to an uncompressed file that will play smoothly in your editing software.
14. Now, insert a CD, or drop MP3s, AACs or files in many other kinds of audio formats into iTunes
15. Highlight all the items you want to convert, right-click, and choose “Convert Selection to WAV” from the popup menu.
16. Locate the items in your Music folder and put them in your project folder.

If you’d like to batch convert audio files on OSX, click here!

Bracket 1 -

A Versatile Bracket System for your Video Camera Accessories
The Professional Solution for mounting Wireless Receivers and Hard Disk Recorders to your camcorder

-tripod mounted or hand held your wireless receivers or hard disk recorder stays securely attached to the camera

-convenient positioning for mounting accessories without blocking camera controls or impeding use

-4 models and multiple configurations fit most any small camcorder

-attaches to existing tripod receiver holes without sacrificing tripod mounting capability

-super light: Made from high strength aluminum with stainless-steel threaded inserts

adapter boxes & plates to further protect and simplify attaching your wireless receivers and accessories

Bracket 1 HD

Specially designed for the new, wider body high definition cameras, our newest design locates your wireless receiver in the middle of the right side of the camera, for perfect balance when shooting handheld. Constructed from ultra-light, high strength aluminum, this versatile bracket can be configured with an additional cold shoe and/or an “Over Camera Plate”, allowing multiple wireless receivers, a hard disk recorder, and other accessories to be mounted simultaneously!
Designed for:

• Sony HVR-Z1U, HVR-V1U, HDR-FX1, pd 150, pd 170 and vx series
• Panasonic AG-HVX200 and AG-DVX100 (DVX100 may need short XLR end)
• Canon GL1 & GL2, XH A1, and XH G1,
  and most other small camcorders

Price: $109.95

Bracket 1 mini

Our newest design for the latest group of mini pro camera such as the popular Canon HV-20. All the features of the bracket 1a HD in a smaller package!
Designed for:

• Canon HV-20
• SSony HVR-A1-U, HDR-SR1, HDR-HC7, PDX-10, PD-100
• Panasonic HSC1, and all other mini camcorders

Price: $99.95

Bracket 1a

The original! Locates your wireless receiver on the right side of the camera, close to the front. Excellent for tripod mounted shooting. Good hand held with the lighter receivers. Constructed from ultra-light aluminum, bracket 1a weighs only 9 oz.
Designed for:

• Sony pd 150, pd 170, and vx series
• Panasonic AG-DVX100
• Canon GL1 & GL2, and most other small camcorders
• May also be used with Sony HVR-Z1U, HVR-V1U, HVR-A1U, Panasonic AG-HVX200, Canon XH A1, and XH G1

Price: $94.95

Bracket 1c

Just like the Bracket 1a but slightly longer, to fit the Canon XL series and some JVC cameras.
Designed for:

• Canon XL H1, XL2, XL1s, and XL1
• JVC GY-HD100, HD110, HD200, and HD250

Price: $99.95

Cold Shoe 1

Cold Shoe screws to newer bracket systems to add an additional cold shoe to vertical surface of Bracket 1 HD and Bracket 1 mini or horizontal surface of Over camera Plate and Position Plate. Cold Shoe can be mounted on vertical surface facing up or forward and on horizontal surface facing forward or back.
For Use With: Bracket 1 HD, Bracket 1 mini, Over Camera Plate and Position Plate

Price: $9.95

EW Clip

Used for mounting Sennheiser Evolution series EW-100 / 500 directly to Bracket 1 (fits G1 and G2). Receiver’s spring clip slides over EW Clip locking receiver in place. Second receiver can be mounted with 1/4-20 screw (included – see “mounting instructions”) or by adding an additional cold shoe.
For use with: Bracket 1 HD, Bracket 1mini, Bracket 1a, Bracket 1c, Position Plate

Price: $18.95

Quick Plate

Universal accessory mounting adapter. A low cost solution for attaching your wireless receiver, hard disk recorder, or other audio accessories to the Bracket 1 bracket system or any camera with the industry standard mounting pattern. Quick Plate firmly holds the receiver against rubber pads using a Velcro type strap. Two Quick Plates can be mounted back to back on Bracket 1 HD, Bracket 1mini, and Position Plate to hold 2 wireless receivers or one receiver and one hard disk recorder.
For mounting: Most all wireless receivers and hard disk recorders including Panasonic Citidisk, Sony HVR-DR60, Firestore, and Nnovia. To mount the Firestore and Nnovia, please add the appropriate “longer velcro strap” as shown below.For use with: Bracket 1 HD, Bracket 1mini, Bracket 1a, Bracket 1c, Position Plate, Over Camera Plate

Price: $34.95

Over Camera Cold Shoe

Angled bracket with Cold Shoe attached, screws to Bracket systems to add an additional cold shoe over the top of the camera. Can be mounted in numerous positions. See “mounting instructions” for placement.
For use with: Bracket 1 HD, Bracket 1mini, Bracket 1a, Bracket 1c

Price: $29.95