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RODE Podcaster

Apr 6, 2009 at 10:00 pm in post audio gear by Josh Mellicker · Comments are closed.

Podcaster

Broadcast quality USB Microphone.

Ever need to do high quality voice over? Do you need smooth broadcast quality sound? Now you can record directly via USB. Many editing applications allow you to record direct to the timeline. The problem has been, how do you get pristine audio into the computer. You used to need some kind of $200 A/D converter and another $100-1000 for the mic. New solution: The RODE Podcaster. This is a dynamic mic  [read more →]

Sennheiser Mics

Jan 3, 2009 at 1:36 pm in location sound, location sound gear by Josh Mellicker · 29 Comments »


Sennheiser Evolution G3 Wireless Lavalier SystemFast, flexible and professional: these characteristics make the EW112P G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.

Sennheiser EW112P G3 Wireless Microphone System Features

Sturdy  [read more →]

DVcreator Location Sound Package 1

Jun 20, 2008 at 9:53 am in location sound gear by Josh Mellicker · 4 Comments »

DVcreator Location Sound Package 1:


RODE NTG-2 Shotgun

RODE 10′ Boom Pole

K-TEK Zeppelin Fuzzy Windscreen – Foam wrapped with fur

RODE Shockmount – Mounts on camera hot-shoe or boom pole!

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Why does audio sound bad, or need to be rendered, in Final Cut Pro, Avid, Premiere or iMovie?

Apr 28, 2008 at 1:45 pm in editing, post audio by · 2 Comments »

Final Cut (and other editing apps) will accept many kinds and formats of audio for import into the Browser or Timeline.

However, just because they will, doesn’t mean you should!

If you import compressed audio, for example, in MP3 or AAC codecs, or audio in a different bit or sample rate than your Timeline (such as 44.1 KHz, 32 KHz or 12-bit), you will often hear clicks, pops, and audio dropouts while editing, which is distracting for your creative process,  [read more →]

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by duncan

The Sony UWP-V6 Wireless System with Lavalier and Plug on Transmitter

Jan 12, 2008 at 8:32 pm in broadcast products, location sound gear by duncan · 8 Comments »

The Sony UWP Series UHF synthesized wireless microphone system. Package includes a lavalier microphone, bodypack transmitter, plug-on transmitter and a portable tuner. Mounting adapter for camcorder included. Channels 30 to 33. The UWP-V6 includes extremely robust metal construction, mic/line input selection on the bodypack and plug-on transmitters, a miniature metal body omni-directional lav microphone and plus the receiver includes a convenient auto channel scanning function allowing automatic search for unoccupied channels.

Consists of a omni lavalier microphone, bodypack transmitter, plug-on transmitter  [read more →]

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Edirol R-09HR Handheld Stereo Recorder

Jan 7, 2008 at 7:12 pm in location sound gear by duncan · Leave a Comment »

The R-09HR is a professional, high-definition recorder that travels light and performs like a heavyweight. With crystal-clear 24/96 fidelity, the R-09HR is the new flagship of EDIROL’s award-winning R-series recorders.

24-bit/96kHz linear PCM high-resolution, low-noise recording
Newly developed Isolated Adaptive Recording Circuit (I.A.R.C.)
High-grade, high-sensitivity stereo condenser microphone built in
Records to SD or SDHC memory card (Up to 8 GB)
Compact, hand-held body for convenient portable use
Wide view-ability on large OLED (Organic Light-Emitting Diode) display
Preview speaker built in
Wireless remote controller included
High-speed file transfer via  [read more →]

Edirol R-09 High Quality hand held Stereo Recorder

Aug 1, 2007 at 3:39 pm in location sound gear by Josh Mellicker · Leave a Comment »

Building on the success of the R-1, the R-09 takes many of the most desired features — 24-bit uncompressed recording and a built-in stereo mic — and shrinks it all down into a more streamlined, stylish, and affordable package.

24-bit/48kHz (or 44.1kHz) linear PCM recording

Ultra portable, half the size of the R-1

Up to 320 kbps MP3 recording

Records to SD card

Isolated Adaptive Recording Circuit (I.A.R.C.)

High-grade stereo condenser microphone built in

Mic and Line audio inputs

High  [read more →]

HHB DRM85 FlashMic

Apr 16, 2007 at 9:49 pm in digital video news by Josh Mellicker · Leave a Comment »

HHB FlashMic DRM85 Digital Recording Microphone now $999

The HHB FlashMic is the world’s first professional digital recording microphone. Combining a high-quality, Sennheiser omni-directional condenser capsule with an inbuilt, broadcast-quality Flash recorder, FlashMic is a convenient, easy to operate and durable recorder that’s perfect for press and broadcast journalism, or any other voice recording application.

With no messy cables, just one button press is all it takes to start recording in either linear or MPEG 2 formats. Simple ‘drag and drop’  [read more →]

audio-technica AT4073a

Jan 26, 2007 at 8:05 pm in location sound gear by Josh Mellicker · Leave a Comment »

AT4073a
Line + Gradient Condenser Microphone

The AT4073a sets new standards in small size and light weight. With an overall length of just 9.13” and weight of just 4.0 oz, the mic adds virtually no heft to the end of a fish pole or the top of a minicam. Through the use of an advanced, propriety Audio-Technica design, the interference tube of the AT4073a provides a narrow acceptance angle that would require a tube 50 percent longer using conventional technology. Audio-Technica  [read more →]

K-Tek Windscreen

Jan 23, 2007 at 9:41 pm in location sound gear by Josh Mellicker · Leave a Comment »

K-Tek Fuzzy Windscreen Zeppelin Medium

Availability: Usually ships same/next day

Price: $99

This wind screen is included with the DVcreator Location Sound Package1

Rode M3 Multi Powered Condenser Microphone

at 9:37 pm in location sound gear, post audio gear by Josh Mellicker · Leave a Comment »

The M3 is an extremely versatile microphone that is at home in the studio, on location, or wherever a low-noise wide-response cardioid condenser microphone is demanded.
An end address condenser microphone, the M3 features a heavy-duty metal body, category leading low self-noise, three stage PAD (O, -10db, -20db), a battery status LED and a High Pass Filter.

The M3 also comes complete with windshield and a stand mount, and can be powered via a 9V battery or 24-48V Phantom.

Rode NTG-1 Shotgun Directional Condenser Microphone

at 5:03 pm in location sound gear by Josh Mellicker · Leave a Comment »

The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries.

The NTG-1 provides an electronically balanced output stage and operates on 48 V to the P48 standard. If your camera does not have built-in phantom power see the RODE NTG-2. The NTG-1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it ideal for  [read more →]

The Sennheiser MKE400 Shotgun Mic

Jan 13, 2007 at 8:41 pm in location sound gear by Josh Mellicker · 2 Comments »

Over a year ago I had the opportunity to examine a little shotgun mic from Sennheiser called the ME36. We’re talking tiny – look at your pinky finger and imagine a shotgun mic that small! This little wonder was initially released as a podium mic and that is where it has existed its moderately successful life. Well…I thought it would make an awesome on-camera mic if they would make a few changes.

In my testing I found the ME36 to be  [read more →]

Sony Professional 7506 Headphones

Jan 12, 2007 at 7:24 pm in camera products, location sound gear by Josh Mellicker · Leave a Comment »

The MDR-7506 is a large diaphragm foldable headphone designed for professional aduio monitoring. These head phones are designed to be worn for hours, with no comfort issues. Their reputaion speaks for themselves.

  • Closed Ear Desing
  • Foldable for compact travel
  • Durrable design
  • 1/4″ TRS Stereo and 1/8″ TRS Stereo Plugs
  • Gold conection for Maximum audio quality
  • A Protective Storagebag is included

Specsifications:

  • Driver Diameter (mm)- 40.0
  • Frequency Respnse- 10-20K Hz
  • Imedance- 24 Ohms
  • Sensitivity- 106 DB/W/m
  • Weigh-t 8.1 Oz

Sony Professional MDR-7506 Headphones
Availability: Usually ships same/next business day
Regular $130.00 Our Price: $99.00

–>

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by duncan

How do I batch convert audio in Windows XP for my editing software?

Jan 10, 2007 at 9:59 pm in editing, post audio by duncan · 2 Comments »

  1. Download iTunes from Apple
  2. Double click iTunes Setup.exe to install
  3. Launch iTunes
  4. Go to the Edit Menu > then click Preferences
  5. Click on the Advanced tab
  6. Then click on the Importing tab
  7. Now, in the “Import Using” dialog box, choose .WAV Encoder.
  8. Then in the “Setting” dialog box, choose “Custom”
  9. For “Sample Rate” choose 48 kHz.
  10. For “Sample Size” choose 16-bit.
  11. For “Channels” choose Stereo.
  12. Then click OK.
  13. Then OK again, to close the Preferences Box.Now your preferences are set up to convert audio files to an uncompressed file that will  [read more →]

Bracket 1

Jan 9, 2007 at 5:30 pm in camera products, location sound gear by Josh Mellicker · Leave a Comment »

Bracket 1 -

A Versatile Bracket System for your Video Camera Accessories
The Professional Solution for mounting Wireless Receivers and Hard Disk Recorders to your camcorder

-tripod mounted or hand held your wireless receivers or hard disk recorder stays securely attached to the camera

-convenient positioning for mounting accessories without blocking camera controls or impeding use

-4 models and multiple configurations fit most any small camcorder

-attaches to existing tripod receiver holes without sacrificing tripod mounting capability

-super light: Made from high strength aluminum with stainless-steel threaded  [read more →]

The Sony PCM-D50

Jan 6, 2007 at 5:30 pm in location sound gear by Josh Mellicker · Leave a Comment »

The PCM-D50 is a 96 kHz/24-bit recorder fitted with two-position (X-Y or Wide) stereo microphones, 4 GB of internal flash memory and a Memory Stick Pro-HG Duo™ slot (for additional storage). The body of the D50 is constructed of lightweight metal (aluminum) and it’s built rugged to withstand the demands of pro applications, plus it offers long battery life using conventional AA alkaline batteries. The recorder includes a USB high-speed port for simple uploading/downloading its native .WAV format files to/from  [read more →]

Audio 101 – Back to Basics PLUS 10 Tips to Better Audio

Oct 12, 2006 at 9:59 am in location sound, location sound gear by Josh Mellicker · 2 Comments »

In the DVeStore we’re seeing a lot of folks making the right choice and stepping up to better quality audio gear. Think about it, you just spent thousands on a high quality camera that produces a truly exquisite picture. Next you show a few people the great project you’re working on. They say, “It looks great, but I’m having a hard time following the story because I can barely hear anyone.” You knew it, but secretly hoped  [read more →]

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voices.com

Sep 12, 2006 at 6:02 pm in post audio by · Leave a Comment »

This website enables you to find quality voice talent quickly, and if you are a voiceover artist, post samples and get jobs.

Take the tour here:

http://www.voices.com/tour/clients/00.html

RODE to Recording System

Aug 30, 2006 at 6:45 pm in post audio by Josh Mellicker · Comments are closed.

Rode to Recording

The rode to recording system.

 

 

From the professional DAW operator to the absolute beginner, the rode to recording system is the one box solution for the computer owner in need of a full digital audio recording setup. The system ships complete with the award winning RODE NT1-A (the world’s quietest large diaphragm condenser) a pair of EVENT ALP-5 biamp-powered studio monitors, and a PreSonus INSPIRE firewire audio interface. Steinberg cubase LE and SONY Acid XMC recording software and  [read more →]

RODE SVM (Stereo VideoMic)

May 24, 2006 at 10:14 pm in location sound gear by Josh Mellicker · Comments are closed.

RODE SVM (Stereo VideoMic)

The RODE SVM is the choice for filmmakers aspiring to achieve the feel of actually being in a given location. Stereo gives you that ambience. Made of lightweight aluminum, the microphone capsule is suspended via rubber rings to isolate unwanted sounds from traveling up through the camera or boom pole. Traditionally, a shockmount would be a separate item, making the all-in-one construction of the Stereo VideoMic both consumer friendly and unique. It also makes  [read more →]

What are Microphone Polar Patterns (aka pickup patterns)?

Apr 16, 2006 at 8:28 pm in Uncategorized by Josh Mellicker · Leave a Comment »

See http://www.microphonemadness.com/faq.htm

Rode SM5 Shockmount

Jan 30, 2006 at 7:31 pm in camera products, film products, location sound, location sound gear by Josh Mellicker · Leave a Comment »

SM5

Suspension Shock Mount – (Clamp Adaptor)

A shotgun microphone suspension shock mount for high end video cameras. The SM5 shock mount is designed specifically to fit Panasonic® and Sony® video cameras with clamp mounts.Features a 4-way rubber suspension with an integral Ø24 mm and Ø27 mm clamp mount adaptor.The SM5 incorporates a two way mounting system with 1/4″x 20 and 3/8″ x 16 internal threads, for Tripod and Boom Pole mounting.

Availability: Usually ships in 1-2 business days Price: $49.00

 [read more →]

K-Tek Zeppelin Windscreen

Jan 5, 2006 at 6:18 pm in location sound, location sound gear by Josh Mellicker · Leave a Comment »

Dead air is what we strive to achieve in windscreen design, and dead air is what you will find in the Zeppelin. The Zeppelin from K-Tek is a practical, user-friendly method for getting maximum shielding from wind exposure during location recording. The Zeppelin system consists of an injection molded polypropylene microphone cage, 2 rubber retaining rings with removable sonic foam end caps, XLR pig tail, and a snug-fitting faux fur High-Wind cover. We offer it in four standard sizes.  [read more →]

Portable 24-Bit Audio Recorder

Jan 3, 2006 at 1:29 pm in location sound, location sound gear by Josh Mellicker · Leave a Comment »

Building on the success of the R-1, the R-09 takes many of the most desired features — 24-bit uncompressed recording and a built-in stereo mic — and shrinks it all down into a more streamlined, stylish, and affordable package.

24-bit/48kHz (or 44.1kHz) linear PCM recording

Ultra portable, half the size of the R-1

Up to 320 kbps MP3 recording

Records to SD card

Isolated Adaptive Recording Circuit (I.A.R.C.)

High-grade stereo condenser microphone built in

Mic and Line audio inputs

[read more →]

BeachTek XLR adapters

at 1:09 pm in location sound, location sound gear by Josh Mellicker · Comments are closed.

BeachTek XLR adapters

As featured in the DVeStore Theatre!

Q. Why would I need one of these adapters?

A. To add the ability to use professional XLR based microphones with clean results on cameras with no XLR inputs.

The BeachTek adapters allow you to attach one or two XLR based mics and converts the signal to the 1/8″ mini-plug jack typically found on many camcorders.

The unit mounts via the tripod screw underneath your camcorder. There are separate  [read more →]

Sennheiser Evolution Wireless Free Tutorial

Jan 2, 2006 at 4:15 pm in digital video news by Josh Mellicker · Leave a Comment »

Sennheiser wireless G2 Tutorial