Published by Josh at April 28, 2008
Final Cut (and other editing apps) will accept many kinds and formats of audio for import into the Browser or Timeline.
However, just because they will, doesn’t mean you should!
If you import compressed audio, for example, in MP3 or AAC codecs, or audio in a different bit or sample rate than your Timeline (such as 44.1 KHz, 32 KHz or …
Published by Josh at May 4, 2007
Have you ever found yourself changing the file names of a whole folder of clips, graphic or other files on your hard drive one by one? Here is a Warp Speed Workflow showing how to change hundred of files names in one click.
Click here to ask a question about Final Cut Studio workflows.
Article found in editing, motion graphics, post visuals, graphics, dvcTV, Final Cut Studio, Compressor, HD/HDV/HD DVD, DVD Studio Pro, Final Cut Pro, music, postproduction, sound effects and DV news.
Published by todd at January 15, 2007

SATA II - 5-Disk RAID System Tower 2.5 TB
- The first SATA II RAID solution for Hi-def video
- New generation SATA II 3Gb/s technology
- 5 bays with hot-swappable drives
- Supports RAID levels 0, 1, 0+1, JBOD
- PCI-e 4 Port eSata Card included
- Up to 180MB/sec!
LaCie Biggest S2S
Availability:
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Published by todd at January 3, 2007

Meet the new hub for your video production studio. With one simple plug-and-play FireWire connection, the V3HD turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation equipped with all the video and audio I/O you need.
Connect all your gear, …
Published by Josh at December 27, 2006
I have shot multicam concerts locking up timecode by beaming wireless audio SMPTE timecode to all cameras and recording it on Ch 2, but I can tell you it was a big hassle and a waste of time.
My recommendation for multi-camera shoots is to either:
1. Use TOD (Free Run) Timecode
TOD (Time of Day) …
Article found in Premiere Pro, Avid Liquid, editing, Avid Xpress, Final Cut Studio, broadcast, production, Final Cut Express, location sound, post audio, cinematography and Final Cut Pro.
Published by Josh at September 12, 2006
This website enables you to find quality voice talent quickly, and if you are a voiceover artist, post samples and get jobs.
Take the tour here:
http://www.voices.com/tour/clients/00.html
Published by guy at August 30, 2006

Rode to Recording
The rode to recording system.
From the professional DAW operator to the absolute beginner, the rode to recording system is the one box solution for the computer owner in need of a full digital audio
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Published by Josh at April 7, 2006
Audacity is a free, easy-to-use audio editor and recorder for Windows, Mac OS X, GNU/Linux, and other operating systems.
Published by Josh at March 7, 2006
Ardour is a professional hard disk recorder and digital audio editor application released under the GNU General Public License as Free Software.
Published by Josh at January 7, 2006
ADR stands for “Automated Dialog Replacement”
http://www.filmsound.org/terminology/adr.htm
Here’s an interesting interview from pros involved in sound on the set, in the editing room, and in sound stages (scroll down and you’ll see them opine on ADR):
http://www.editorsguild.com/newslet…rint_sound.html
Published by Josh at January 7, 2006
Sometimes a location sound track has hiss (white noise) or a 60 Hz hum that is audible. If the sound is constant, there are some software packages and plugins that can reduce the problem somewhat without affecting the audio quality terribly. Some of them are:
Ray Gun
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Published by Josh at January 6, 2006
Published by Josh at January 3, 2006
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