Published by Josh at September 27, 2007
When you’re EDITING, you can make good decisions just watching the Canvas Window on your laptop.
But for color grading, it’s critically important to watch your show on a monitor that’s displaying an accurate image. Monitoring is important because all your color grading work is going to be off if the monitor you’re watching while you work is not telling the …
Article found in editing, motion graphics, post visuals, Final Cut Studio, color correction, Color, HD/HDV/HD DVD, broadcast, cinematography, web video, postproduction, film, DVD and Final Cut Pro.
Published by Josh at September 24, 2007
You’re shooting with your new HDV or HD camcorder, and the footage looks amazing! But are you really seeing the full picture?
Not unless you’re looking at a high definition monitor. But professional HD monitors are still expensive.
So, here’s an idea:
You can buy a LCD TV/computer monitor (the lines are being blurred more every day) that can be used for …
Article found in editing, Premiere Pro, Avid Xpress, Final Cut Studio, Final Cut Studio Planet E-News #5, HD/HDV/HD DVD, broadcast, cinematography, production, postproduction, film and Final Cut Pro.
Published by Josh at May 4, 2007
Have you ever found yourself changing the file names of a whole folder of clips, graphic or other files on your hard drive one by one? Here is a Warp Speed Workflow showing how to change hundred of files names in one click.
Click here to ask a question about Final Cut Studio workflows.
Article found in editing, motion graphics, post visuals, graphics, dvcTV, Final Cut Studio, Compressor, HD/HDV/HD DVD, DVD Studio Pro, Final Cut Pro, music, postproduction, sound effects and DV news.
Published by Josh at April 25, 2007
If your projects are going to be delivered on DVD or broadcast, it’s important to have an accurate studio monitor on your desk so you can see your project as your viewers will see it while you’re editing.
Why?
First, many editing programs show you a low quality "proxy" of your timeline, so you can’t judge color …
Article found in LiveType, HD/HDV/HD DVD, broadcast, Avid Liquid, Premiere Pro, Final Cut Studio, Avid Xpress, editing, DVD, film, iMovie, Motion, Final Cut Express, cinematography, production, lighting, delivery, postproduction and Final Cut Pro.
Published by todd at January 2, 2007

Intensity Pro (With Break out cables)

Intensity (HDMI Only)
Want to view your project out to an HD monitor? Add the incredible quality of HDMI to your computer. Intensity features the latest HDMI technology for the highest quality capture and playback on Windows or Mac OS X computers. …
Published by Josh at March 1, 2006
Published by Josh at January 12, 2006
Published by Josh at January 5, 2006
Think about this:
More and more people are buying HD TVs. HD DVD standards are still settling. Walk into a Blockbuster or check out NetFlix, and you’ll find all DVDs are SD (Standard Definition) except for just a couple exceptions.
However, after the next year or two, NO ONE is going to want to rent or buy a low resolution, SD DVD.
Once …
Published by Josh at January 5, 2006
Published by Michelle at January 3, 2006
Published by Josh at December 31, 2005
Published by Josh at December 31, 2005
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