Published by Josh at September 24, 2007
You’re shooting with your new HDV or HD camcorder, and the footage looks amazing! But are you really seeing the full picture?
Not unless you’re looking at a high definition monitor. But professional HD monitors are still expensive.
So, here’s an idea:
You can buy a LCD TV/computer monitor (the lines are being blurred more every day) that can be used for …
Article found in editing, Premiere Pro, Avid Xpress, Final Cut Studio, Final Cut Studio Planet E-News #5, HD/HDV/HD DVD, broadcast, cinematography, production, postproduction, film and Final Cut Pro.
Published by Josh at April 25, 2007
If your projects are going to be delivered on DVD or broadcast, it’s important to have an accurate studio monitor on your desk so you can see your project as your viewers will see it while you’re editing.
Why?
First, many editing programs show you a low quality "proxy" of your timeline, so you can’t judge color …
Article found in LiveType, HD/HDV/HD DVD, broadcast, Avid Liquid, Premiere Pro, Final Cut Studio, Avid Xpress, editing, DVD, film, iMovie, Motion, Final Cut Express, cinematography, production, lighting, delivery, postproduction and Final Cut Pro.
Published by Josh at December 27, 2006
I have shot multicam concerts locking up timecode by beaming wireless audio SMPTE timecode to all cameras and recording it on Ch 2, but I can tell you it was a big hassle and a waste of time.
My recommendation for multi-camera shoots is to either:
1. Use TOD (Free Run) Timecode
TOD (Time of Day) …
Article found in Premiere Pro, Avid Liquid, editing, Avid Xpress, Final Cut Studio, broadcast, production, Final Cut Express, location sound, post audio, cinematography and Final Cut Pro.
Published by Josh at November 3, 2006
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If you ever need to watch a series of video clips and take notes, or if you need to get dailies or raw footage to clients or collaborators for comments, you know what a huge hassle it can be- doing window burns, waiting …
Article found in Avid Xpress, editing, Premiere Pro, gear, Final Cut Studio, editing products, DV Revolution Report #22, Avid Liquid, the DV biz, iMovie, Final Cut Express, Final Cut Pro, free OS X stuff, postproduction, free Windows stuff, delivery and DV news.
Published by Josh at January 24, 2006
It seems more and more common that editors are being asked to use content from a DVD- perhaps the client has provided you with last years annual report DVD… and wants you to redit it. (Remember, ripping off copyrighted content is a Federal offense with imprisonment and large fines possible!)
You can use MacTheRipper or OSEx …
Published by Josh at January 24, 2006
If you shot and edited a project in DV format, this is one recommendation:
- Check your edit to make sure luma (brightness) and chroma (color saturation) levels are within broadcast-legal ranges. Adjust if necessary.
- Check your project for audio clipping, and adjust levels if needed.
- Make sure you’re completely out a
…
Published by Josh at December 31, 2005
One good option is dubbing your analog footage to a DV or HDV tape with the analog inputs of your camcorder. That way, your footage has been digitized and timecoded, and is ready to capture via FireWire into your system as if it had been shot on digital.
If you have Hi-8 footage, there are Sony “digital 8″ camcorders with Firewire …
Published by Josh at October 31, 2005
When moving footage is not available, don’t forget about still photos! You can animate still photos with motion and scale, crop them, apply filters (like sepia, B & W, color tint) and sometimes stills can fill empty spots in your timeline as well or even better than a video clip. Also, many stock photos are automatically HD res!…
Article found in Avid Liquid, After Effects, Premiere Pro, post visuals, Avid Xpress, graphics, free Windows stuff, free media, Final Cut Express, Final Cut Pro, Motion, DVD Studio Pro, postproduction, free OS X stuff and DV news.