Final Cut (and other editing apps) will accept many kinds and formats of audio for import into the Browser or Timeline.
However, just because they will, doesn’t mean you should!
If you import compressed audio, for example, in MP3 or AAC codecs, or audio in a different bit or sample rate than your Timeline (such as 44.1 KHz, 32 KHz or 12-bit), you will often hear clicks, pops, and audio dropouts while editing, which is distracting for your creative process, and in many cases your audio will require rendering before you can even hear it, which sounds like “beep-beep-beep-beep” and wastes …

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The new Matrox MXO2 is the first truly portable device that gives you broadcast-quality input/output, monitoring, and up/down/cross conversion to streamline your workflow with Apple Final Cut Studio 2. It’s lightweight, fits in your laptop bag, and runs for hours on a field battery. It lets you work seamlessly in any format you want. Enjoy new-found freedom with Matrox MXO2 – edit anywhere!
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I have shot multicam concerts locking up timecode by beaming wireless audio SMPTE timecode to all cameras and recording it on Ch 2, but I can tell you it was a big hassle and a waste of time.
My recommendation for multi-camera shoots is to either:
1. Use TOD (Free Run) Timecode
TOD (Time of Day) timecode is a switchable option on some recent camcorders. With this option, you can synchronize multiple cameras, then each camera can start or stop at will, and the timecode always reflects the current time, not the tape position, so the …
This website enables you to find quality voice talent quickly, and if you are a voiceover artist, post samples and get jobs.
Take the tour here:
http://www.voices.com/tour/clients/00.html
Audacity is a free, easy-to-use audio editor and recorder for Windows, Mac OS X, GNU/Linux, and other operating systems.
Ardour is a professional hard disk recorder and digital audio editor application released under the GNU General Public License as Free Software.
ADR stands for “Automated Dialog Replacement”
http://www.filmsound.org/terminology/adr.htm
Here’s an interesting interview from pros involved in sound on the set, in the editing room, and in sound stages (scroll down and you’ll see them opine on ADR):
http://www.editorsguild.com/newslet…rint_sound.html
Sometimes a location sound track has hiss (white noise) or a 60 Hz hum that is audible. If the sound is constant, there are some software packages and plugins that can reduce the problem somewhat without affecting the audio quality terribly. Some of them are:
Ray Gun
Sound Soap
Soundtrack Pro
Ionizer
If the background sound you want to remove is not …
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