Category Archive for ‘post audio’ at DVcreators.net

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Why does audio sound bad, or need to be rendered, in Final Cut Pro, Avid, Premiere or iMovie?

Published

Josh

on April 28, 2008

in editing and post audio

. 1 Comment

Final Cut (and other editing apps) will accept many kinds and formats of audio for import into the Browser or Timeline.

However, just because they will, doesn’t mean you should!

If you import compressed audio, for example, in MP3 or AAC codecs, or audio in a different bit or sample rate than your Timeline (such as 44.1 KHz, 32 KHz or 12-bit), you will often hear clicks, pops, and audio dropouts while editing, which is distracting for your creative process, and in many cases your audio will require rendering before you can even hear it, which sounds like “beep-beep-beep-beep” and wastes …

Apple announces Final Cut Studio 2 - Final Cut Pro 6 - Motion 3 - Soundtrack 2 - etc.

Published

Josh

on April 15, 2007

in DV news, editing, post audio and post visuals

. 4 Comments

Notable points:

Final Cut Studio 2 will be available in May for $1,299, or $499 for the upgrade
Final Cut Pro 6 has an Open Format Timeline that lets editors mix and match virtually any video format and frame-rate in a single Timeline without transcoding. Hope this works with nesting and media management!
ProRes 422 format for uncompressed HD quality at SD file sizes and support for mixed video formats and frame rates in a single Timeline- nice feature. ProRes 422 will run at about

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LaCie Biggest S2S with PCI-Express Card 2.5 TB

Published

todd

on January 15, 2007

in editing, editing products, gear and post audio

. 0 Comments

Photo Sharing and Video Hosting at Photobucket

SATA II - 5-Disk RAID System Tower 2.5 TB

The first SATA II RAID solution for Hi-def video
New generation SATA II 3Gb/s technology
5 bays with hot-swappable drives
Supports RAID levels 0, 1, 0+1, JBOD
PCI-e 4 Port eSata Card included
Up to 180MB/sec!

LaCie Biggest S2S
Availability: Usually ships same/next day

Item Number: 301135U
Price: $1,789.99

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How do I batch convert audio in Windows XP for my editing software?

Published

grace

on January 10, 2007

in editing and post audio

. 1 Comment

Download iTunes from Apple
Double click iTunes Setup.exe to install
Launch iTunes
Go to the Edit Menu > then click Preferences
Click on the Advanced tab
Then click on the Importing tab
Now, in the “Import Using” dialog box, choose .WAV Encoder.
Then in the “Setting” dialog box, choose “Custom”
For “Sample Rate” choose 48 kHz.
For “Sample Size” choose 16-bit.
For “Channels” choose Stereo.
Then click OK.
Then OK again, to close the Preferences Box.Now your preferences are set up to convert audio files to an uncompressed file that will play smoothly in your editing software.
Now, insert a CD, or drop MP3s, AACs or files in many other kinds of

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The MOTU V3HD FireWire Interface for Mac or PC

Published

todd

on January 3, 2007

in editing, editing products, film products, gear, post audio and post visuals

. 0 Comments

Meet the new hub for your video production studio. With one simple plug-and-play FireWire connection, the V3HD turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation equipped with all the video and audio I/O you need.

Connect all your gear, from SD camcorders and CRT monitors to today’s latest professional HD cameras, video decks, LCD reference monitors and plasmas — all at the same time, with no cable swapping. Choose your input source, then log and capture HD and SD …

What is the best way to do multi-camera shoots?

Published

Josh

on December 27, 2006

in broadcast, cinematography, editing, location sound and post audio

. 3 Comments

I have shot multicam concerts locking up timecode by beaming wireless audio SMPTE timecode to all cameras and recording it on Ch 2, but I can tell you it was a big hassle and a waste of time.

My recommendation for multi-camera shoots is to either:

1. Use TOD (Free Run) Timecode

TOD (Time of Day) timecode is a switchable option on some recent camcorders. With this option, you can synchronize multiple cameras, then each camera can start or stop at will, and the timecode always reflects the current time, not the tape position, so the …

voices.com

Published

Josh

on September 12, 2006

in post audio

. 0 Comments

This website enables you to find quality voice talent quickly, and if you are a voiceover artist, post samples and get jobs.

Take the tour here:

http://www.voices.com/tour/clients/00.html

RODE to Recording System

Published

guy

on August 30, 2006

in post audio

. Closed

Rode to Recording

The rode to recording system.

From the professional DAW operator to the absolute beginner, the rode to recording system is the one box solution for the computer owner in need of a full digital audio recording setup. The system ships complete with the award winning RODE NT1-A (the world’s quietest large diaphragm condenser) a pair of EVENT ALP-5 biamp-powered studio monitors, and a PreSonus INSPIRE firewire audio interface. Steinberg cubase LE and SONY Acid XMC

…

Audacity

Published

Josh

on April 7, 2006

in DV news and post audio

. Closed

Audacity is a free, easy-to-use audio editor and recorder for Windows, Mac OS X, GNU/Linux, and other operating systems.

Ardour

Published

Josh

on March 7, 2006

in post audio

. Closed

Ardour is a professional hard disk recorder and digital audio editor application released under the GNU General Public License as Free Software.

Where can I get royalty-free music for my projects?

Published

Josh

on February 10, 2006

in DV news, editing and post audio

. 13 Comments

Wikipedia Commons

http://www.archive.org/details/audio

http://ccmixter.org/

http://www.icompositions.com/tools/category.php?cid=9

What is ADR?

Published

Josh

on January 7, 2006

in post audio

. 0 Comments

ADR stands for “Automated Dialog Replacement”
http://www.filmsound.org/terminology/adr.htm

Here’s an interesting interview from pros involved in sound on the set, in the editing room, and in sound stages (scroll down and you’ll see them opine on ADR):

http://www.editorsguild.com/newslet…rint_sound.html

How can I reduce hum or hiss in my audio?

Published

Josh

on January 7, 2006

in post audio and post audio gear

. 1 Comment

Sometimes a location sound track has hiss (white noise) or a 60 Hz hum that is audible. If the sound is constant, there are some software packages and plugins that can reduce the problem somewhat without affecting the audio quality terribly. Some of them are:

Ray Gun
Sound Soap
Soundtrack Pro
Ionizer

If the background sound you want to remove is not …

Where can I learn more about Foley?

Published

Josh

on January 6, 2006

in location sound and post audio

. 0 Comments

http://www.filmsound.org/foley/

How do I build a 5.1 surround sound authoring system?

Published

Josh

on January 3, 2006

in post audio

. 0 Comments

building a 5.1 surround sound authoring system

What is music clearance, and how do I do it myself?

Published

Michelle

on January 3, 2006

in planning and post audio

. 1 Comment

If you’re thinking about using copyrighted music in a video or film project, this article has tips and guidelines for D-I-Y music clearance: click here More info on getting music clearance here.