all articles in 'post audio'

Why does audio sound bad, or need to be rendered, in Final Cut Pro, Avid, Premiere or iMovie?

Final Cut (and other editing apps) will accept many kinds and formats of audio for import into the Browser or Timeline.

However, just because they will, doesn’t mean you should! :)

If you import compressed audio, for example, in MP3 or AAC codecs, or audio in a different bit or sample rate than your Timeline (such as 44.1 KHz, 32 KHz or 12-bit), you will often hear clicks, pops, and audio dropouts while editing, which is distracting for your creative process, and in many cases your audio will require rendering before you can even hear it, which sounds like “beep-beep-beep-beep” and wastes …



Blackmagic Video Recorder


Capture video direct to H.264 video files for your iPod, iPhone, Apple TV, YouTube and even full resolution video backups! Only $149
Video Recording for a new age!

Now you can capture analog video from VHS, Video-8, video cameras and more, direct to the H.264 file format as used by iPod™, iPhone™, Apple TV™ and YouTube™. Blackmagic Video Recorder plugs directly into your computer’s USB and includes easy to use software. Get the highest quality video capture from any component video or regular video device. Blackmagic Video Recorder eliminates time consuming



Matrox MXO2 and MX02 Mini

The new Matrox MXO2 is the first truly portable device that gives you broadcast-quality input/output, monitoring, and up/down/cross conversion to streamline your workflow with Apple Final Cut Studio 2. It’s lightweight, fits in your laptop bag, and runs for hours on a field battery. It lets you work seamlessly in any format you want. Enjoy new-found freedom with Matrox MXO2 – edit anywhere!

Features

  • Truly portable - fits in your laptop bag, runs off a field battery (or its AC adapter)
  • HD/SD SDI, HD/SD analog component, Y/C, and composite inputs and outputs
  • Genlock



Apple announces Final Cut Studio 2 - Final Cut Pro 6 - Motion 3 - Soundtrack 2 - etc.

Notable points:

  • Final Cut Studio 2 will be available in May for $1,299, or $499 for the upgrade
  • Final Cut Pro 6 has an Open Format Timeline that lets editors mix and match virtually any video format and frame-rate in a single Timeline without transcoding. Hope this works with nesting and media management!
  • ProRes 422 format for uncompressed HD quality at SD file sizes and support for mixed video formats and frame rates in a single Timeline- nice feature. ProRes 422 will run at about



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  • New generation SATA II 3Gb/s technology
  • 5 bays with hot-swappable drives
  • Supports RAID levels 0, 1, 0+1, JBOD
  • PCI-e 4 Port eSata Card included
  • Up to 180MB/sec!

LaCie Biggest S2S
Availability:
Usually ships same/next day

Item Number: 301135U
Price: $1,789.99



How do I batch convert audio in Windows XP for my editing software?

  1. Download iTunes from Apple
  2. Double click iTunes Setup.exe to install
  3. Launch iTunes
  4. Go to the Edit Menu > then click Preferences
  5. Click on the Advanced tab
  6. Then click on the Importing tab
  7. Now, in the “Import Using” dialog box, choose .WAV Encoder.
  8. Then in the “Setting” dialog box, choose “Custom”
  9. For “Sample Rate” choose 48 kHz.
  10. For “Sample Size” choose 16-bit.
  11. For “Channels” choose Stereo.
  12. Then click OK.
  13. Then OK again, to close the Preferences Box.Now your preferences are set up to convert audio files to an uncompressed file that will play smoothly in your editing software.
  14. Now, insert a CD, or drop MP3s, AACs or files in many other kinds of



The MOTU V4HD FireWire Interface

MOTU V4HD
The Motu V4HD
Feature highlights

  • HD/SD FireWire video interface for Mac and Windows — provides HD and SD capture and playback for any current-generation FireWire equipped computer
  • Plug-and-play connectivity via FireWire 400 or 800 — connects to either a desktop tower or a portable laptop
  • Supports Apple Final Cut Pro and Adobe Premiere Pro
  • Captures and plays all standard HD and SD formats up to and including 1080p30 (720p, 1080i, 1080p and 1080PsF)
  • Full-raster Apple ProRes workflow — supports full-raster capture and playback (1920×1080 and 1280×720) in Apple’s ProRes 422



What is the best way to do multi-camera shoots?

I have shot multicam concerts locking up timecode by beaming wireless audio SMPTE timecode to all cameras and recording it on Ch 2, but I can tell you it was a big hassle and a waste of time.

My recommendation for multi-camera shoots is to either:

1. Use TOD (Free Run) Timecode

TOD (Time of Day) timecode is a switchable option on some recent camcorders. With this option, you can synchronize multiple cameras, then each camera can start or stop at will, and the timecode always reflects the current time, not the tape position, so the …



voices.com

This website enables you to find quality voice talent quickly, and if you are a voiceover artist, post samples and get jobs.

Take the tour here:

http://www.voices.com/tour/clients/00.html



RODE to Recording System


Rode to Recording
The rode to recording system.
 
 

From the professional DAW operator to the absolute beginner, the rode to recording system is the one box solution for the computer owner in need of a full digital audio recording setup. The system ships complete with the award winning RODE NT1-A (the world’s quietest large diaphragm condenser) a pair of EVENT ALP-5 biamp-powered studio monitors, and a PreSonus INSPIRE firewire audio interface. Steinberg cubase LE and SONY Acid XMC



Audacity

Audacity is a free, easy-to-use audio editor and recorder for Windows, Mac OS X, GNU/Linux, and other operating systems.



Ardour

Ardour is a professional hard disk recorder and digital audio editor application released under the GNU General Public License as Free Software.



Where can I get royalty-free music for my projects?

Wikipedia Commons

http://www.archive.org/details/audio

http://ccmixter.org/

http://www.icompositions.com/tools/category.php?cid=9

www.stock20.com

www.musicbakery.com

www.studiocutz.com

www.smartsound.com



What is ADR?

ADR stands for “Automated Dialog Replacement”
http://www.filmsound.org/terminology/adr.htm

Here’s an interesting interview from pros involved in sound on the set, in the editing room, and in sound stages (scroll down and you’ll see them opine on ADR):

http://www.editorsguild.com/newslet…rint_sound.html



How can I reduce hum or hiss in my audio?

Sometimes a location sound track has hiss (white noise) or a 60 Hz hum that is audible. If the sound is constant, there are some software packages and plugins that can reduce the problem somewhat without affecting the audio quality terribly. Some of them are:

Ray Gun
Sound Soap
Soundtrack Pro
Ionizer

If the background sound you want to remove is not …



Where can I learn more about Foley?

http://www.filmsound.org/foley/