NOW AVAILABLE FOR IMMEDIATE DOWNLOAD THROUGH DVcreatorsUniversity!
Shooting Awesome Video is the world’s best complete beginning course on shooting high quality video.
If your video footage looks like ”Blair Witch” or “Cloverfield”, and you wish it looked more like “Amelie” or “Hero”, Shooting Awesome Video is the perfect learning experience. It is like a complete “consumer film school” for anyone who wants to dramatically improve the quality of the video footage they shoot.
Shooting Awesome Video is not meant for professionals. It was created for novices who wish to …
For the last few years we have been searching for an inexpensive wind protection system. While we have featured the professional Sennheiser set-up in the DVeStore, the price point was out of reach for many of us. We just couldn’t justify spending $800+ on a serious package. Alas, RODE has developed a solution for us mere mortals to be proud of owning - the all new RODE Blimp.
We’re excited to bring professional quality wind protection to you for under $300! It’s an amazing value - no more ruined audio due to a …
Omni directional Microphone Pickup pattern
Cardioid Microphone Pickup pattern
Super Cardioid Microphone Pickup pattern
Shotgun (Lobar) Microphone Pickup pattern
Summary of Polar Patterns…
What just happened to video on the web?
We are extremely excited to announce that DV Kitchen, the ultimate solution for publishing professional quality video on the web, is available immediately!
Click here to find out all about it and watch the new movies!
DV Kitchen’s primary focus is encoding and uploading broadcast quality, internet-friendly-bandwidth video to a website, blog, forum, or for a video podcast. You can import movies, encode them, and upload them in as few as two clicks!
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The ENG-44 mixer has more important features than any other ENG audio mixer in its price class, and offers superb sound mixing quality, backed by our guaranteed ENG mixer specs. The ENG44 portable audio mixer is also compact, rugged, light weight, reliable and easy to use– strap it over your shoulder or use it table top for complete hands on sound control– on location or anywhere else. The ideal ENG mixer for video production.
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This is the most amazing mic comparison on the internet! Listen to a variety of shotguns and compare the sound quality right on this page!
A good quality shotgun mic will pickup great sound a few feet directly in front of the mic while at the same time rejecting sound from the sides. This is great for picking out just the sounds you want and is the most desirable and common microphone for DV filmmakers.
A question most new camcorder owners have is, “Which shotgun mic should I buy?” This usually happens after they shot some awesome footage, but later found that …
CX211 XLR Adapter
Enables connection of balanced audio signals to the 3.5mm stereo input jack on your camcorder. Interface with professional condenser/dynamic microphones and line level signals. Capable of interfacing with unbalanced sources, such as wireless mic receivers. An essential tool in professional video production and event videography.
• Inputs: 2 XLR balanced inputs
• Mic/Line Switch
• Unbalanced input capable - for wireless mic receivers, etc
• Neutrik locking connectors - pin1 direct connection to chassis
• Output: 3.5mm stereo jack
• Low-noise preamplifier:
• 3 gain settings
• Improves camcorder signal-to-noise ratio
• Frequency Response: +/- 1dB typ, 20Hz-20kHz
• …
The EW135 is a great addition to Sennheiser’s Evolution family of wireless handheld microphones. The UHF wireless microphone system features 1440 tunable frequencies within a 36MHz switching bandwidth for greater tuning flexibility and 4 frequency presets . Autoscan on all receivers for simple and secure frequency selection. Robust metal construction for durability.
Product Features
- Autoscan on all receivers for simple and secure frequency selection
- 1440 frequencies within a 36MHz switching bandwidth for greater tuning flexibility
- Robust metal construction for durability
- XLR jacks on all rack mountable units
- C = Frequency Range 740-776 MHz
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The Azden FMX-42
Having 4 balanced XLR line/mic inputs with individual level and pan controls, the FMX-42 provides switchable (per channel) 48V phantom power and limiting, professional quality VU meters for accurate level setting, master level control, 1 k tone generator, 2 balanced XLR outputs (line/mic switchable), stereo mini-jack output for DV cameras and a headphone monitor with level control.
The FMX-42 can be powered by either 6 internal “AA” batteries or a 12V external supply (optional). A ballistic nylon carrying case is included.
Technical Specs:
GENERAL
Frequency Response
Balanced and Unbalanced Output:
20 Hz - 30 kHz (± 1.5 dB)
Monitor Out: 30 Hz …
The RODE WS6 Windmuff for RODE NTG-1 and NTG-2
The Rode WS6 Deluxe Windshield provides excellent noise protection against high wind and adverse weather conditions. The slip-on design of the WS6 features dimensions that accommodate the Rode NTG2 and NTG1 microphones; as well as any shotgun or stereo mic with a length of 6.25″ (160.5mm) and diameter of 0.88″ (22.5mm).
Rode WS6
Availability: Ships same/Next Business Day
Price: $99…
Audio-Technica Premium Microphone Cable is engineered for maximum signal transfer and minimum loss. Designed for low-impedance operation, this balanced cable features heavy-duty construction and professional Neutrik connectors. To protect signal quality, each conductor has an individual spiral shield inside the molded insulating sheath. A conductive PVC layer inside each shield dissipates static buildup during flexing.
Availability: Usually ships same/next day
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I have shot multicam concerts locking up timecode by beaming wireless audio SMPTE timecode to all cameras and recording it on Ch 2, but I can tell you it was a big hassle and a waste of time.
My recommendation for multi-camera shoots is to either:
1. Use TOD (Free Run) Timecode
TOD (Time of Day) timecode is a switchable option on some recent camcorders. With this option, you can synchronize multiple cameras, then each camera can start or stop at will, and the timecode always reflects the current time, not the tape position, so the …
In the DVeStore we’re seeing a lot of folks making the right choice and stepping up to better quality audio gear. Think about it, you just spent thousands on a high quality camera that produces a truly exquisite picture. Next you show a few people the great project you’re working on. They say, “It looks great, but I’m having a hard time following the story because I can barely hear anyone.” You knew it, but secretly hoped no one would call you on it. It’s a tough lesson to learn when you go back to review the …
Here is one solution, have not tried it though. and one more http://www.xtrememac.com/audio/earphones_recorders/micromemo.php
With Sound Samples recorded by Guy Cochran
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| SM5 |
| Suspension Shock Mount - (Clamp Adaptor) |
A shotgun microphone suspension shock mount for high end video cameras. The SM5 shock mount is designed specifically to fit Panasonic® and Sony® video cameras with clamp mounts.Features a 4-way rubber suspension with an integral Ø24 mm and Ø27 mm clamp mount adaptor.The SM5 incorporates a two way mounting system with 1/4″x 20 and 3/8″ x 16 internal threads, for Tripod and Boom Pole mounting.
| Availability: Usually ships in |
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