all articles in 'lighting'

DV Enlightenment

NEW MOVIE EXCERPTS!

The DV Enlightenment DVD is a brilliant and highly enlightening course in Hollywood lighting for DV from DVcreators.net for anyone wanting to shoot stunningly beautiful, cinematic quality footage—for filmmaking, marketing projects, broadcast, special interest video, education or any other purpose.

DV Enlightenment Course Overview

DV Enlightenment Course Intro



Shooting Awesome Video

NOW AVAILABLE FOR IMMEDIATE DOWNLOAD THROUGH DVcreatorsUniversity!

Shooting Awesome Video is the world’s best complete beginning course on shooting high quality video.

If your video footage looks like ”Blair Witch” or “Cloverfield”, and you wish it looked more like “Amelie” or “Hero”, Shooting Awesome Video is the perfect learning experience. It is like a complete “consumer film school” for anyone who wants to dramatically improve the quality of the video footage they shoot.

Shooting Awesome Video is not meant for professionals. It was created for novices who wish to …



How can I make my own backdrop?

In this movie, do-it-yourself handyman Eric Schultheis shows a method of making a professional quality backdrop for video or photography very inexpensively, and tips for mounting it in a basement or garage.



Eiko Color Master Full Spectrum Bulb

General

Lamp No SP50/955K
Bar Code 05622
Volts 120
Watts 50
MOL in/mm 9.06/230
MOD in/mm 2.80/71
Avg Life 10000
Base Medium Screw (E26)
CT deg K 5500
Replaces Std 200W Incandescent
CRI 93
Approx Initial Lumens 3000



Photoflex Constellation3 Large SilverDome Kit

The Constellation3 Large SilverDome Kit is our multi-lamp, continuous lighting solution. The Constellation3 will accept our CoolStar CFL lamps (daylight-balanced), or our Starlite lamps (tungsten-balanced).

The Constellation3 features three lamps sockets each with an individual power switch. One power cord can supply power for two sockets; two power cords supply full power to all three sockets.

Includes:

  • Constellation3 light head
  • Large SilverDome soft box (36″ x 48″)
  • 3 CoolStar 150 CFLs
  • 3 Starlite 1000w lamps
  • LiteStand 2320Y (12 feet)
  • Tilt Swivel
  • 2 power cords
  • Transpac Dual Kit Case

Great lighting solution for videographers and photographers shooting with daylight color conditions.

Photoflex



Photoflex Starlite Dual Spectrum Kit

This is a Photoflex Starlite Dual Spectrum Kit with a medium SilverDome softbox. It provides 150 watts of 5000°K fluorescent light (450-500W tungsten equivalent) as well as 1000 watts of 3200°K tungsten light, with the included bulbs.

At the core, is the StarliteQL fixture — a “flicker-free” light source, which provides a light quality that is soft, beautiful and natural looking, yet powerful enough for the demands of video or digital photography. The housing is engineered to allow constant airflow through channels running along the entire length of …



Do I need a studio monitor?

If your projects are going to be delivered on DVD or broadcast, it’s important to have an accurate studio monitor on your desk so you can see your project as your viewers will see it while you’re editing.

Why?

First, many editing programs show you a low quality “proxy” of your timeline, so you can’t judge color correction, brightness, saturation, contrast, how titles or graphics will look, or any other aspect of the picture accurately.

Can I just enable a second computer monitor to show video and that will work?

With some editing programs, you can enable a second monitor to show a …



ProMax Tracking Dolly System 15′

To really add a new dimension include a Tracking Dolly. Our tracking dolly provides to and from or side to side motion that simply has no comparison. The dolly holds the tripod and crane and runs on the included PVC track. It runs on six super smooth high quality skateboard type wheels. These wheels are offset by 90 degrees, so they grab the track and smoothly roll over providing incredibly smooth dolly moves that are amazing to watch in your videos.
The tracking dolly has the advantage …



Which gels should I use?

I’d say the following are must-haves, but if you scan the links below you’ll find some helpful descriptions of each and what they are good for (moonlight, water effects, sunrise, etc.):
(And for you computer geeks out there, NO, YOU CAN’T SHOOT WITHOUT GELS AND GET THESE EFFECTS IN POST!   )

Each shooter will have a unique selection, since you might be doing a lot of nighttime scenes, or interviews, or shooting under fluorescents, or who knows?

General
Cinelux #18: Flame
Warm pinkish amber. …



Interfit 32″ Reflector

32″ 5-IN-1 Reflector

Availability: Usually ships same/next day

List Price $99

Price: $59.95



Low budget film and video lighting tips

Read this thread

also, click here



What’s a Camera Test?

Veteran DPs (directors of photography) will shoot camera tests in advance of filming a project - trying different lenses and different camera settings to achieve the visual style and effect they want for the film.  Rolling some tape well in advance of your shoot, in one of your locations or somewhere similar and experimenting will give you a huge advantage on the day of the shoot.

This means you won't be burning time experimenting with camera settings, filters, and mics on the actual shoot- just concentrating on getting the framing and performance you want. This will lead



How do I get great results shooting in daylight?

Tips on shooting exteriors:
Getting good results shooting outdoors on a bright day is a challenge. We recommend positioning the subject and camera so that the sun acts as a backlight, painting a “rim of light” around the edge of your subject.Use your camcorder’s ND filter plus an ND .9 external filter so you can keep your iris open to avoid diffraction and minimize depth-of-field.

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What does an eggcrate do?

http://lighttools.com/technical2.html



#1 Secret of Shooting Video to Look like Film: Sharpen your Cinematography Skills

The most important secret of shooting video to look like film is: Your knowledge.



#2 Secret of Shooting Video to Look like Film: Use a professional light kit (when possible)

shot with existing lighting

Notice how dull and drab this shot appears… the subject does not "pop" out from the background, little contrast