Published by todd at January 30, 2007

A brand new addition to the Lens Control range, the 521CFI puts all the functions of the 524CFI in a smaller clamp control suitable for use with the 595B Fig Rig, with jib arms and in a wide variety of other shooting setups, allowing the video operator to take full advantage of the …
Published by todd at January 8, 2007

Every now and then a reallly cool “widget” comes along that allows us creative types to accomplish the seemingly impossible. The M25 Tripod does just that! This tripod has all the “must be” features you’re looking for in a professional tripod - lightweight, capacity, stable and smooth. However, there’s one little “widget” …
Published by todd at January 3, 2007

Meet the new hub for your video production studio. With one simple plug-and-play FireWire connection, the V3HD turns your Mac or PC desktop or laptop computer into a powerful HD/SD video production workstation equipped with all the video and audio I/O you need.
Connect all your gear, …
Published by guy at May 31, 2006
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Article found in film products, post audio gear, dvd products, broadcast products, web products, visual fx products, editing products, lighting gear, location sound gear, camera products, planning products and gear.
Published by Josh at May 10, 2006

Interview with Red Camera’s Ted Schilowitz,"Leader of the Rebellion" here.
RED RENDERS OBSOLESCENCE OBSOLETE
The RED ONE™ body - designed for flexibility and functionality. Weighing in at under 7 lbs, a streamlined packaged designed specifically to maximize your shooting options, along with a 35mm PL lens mount allows you to take …
Published by todd at January 30, 2006

SM5
Suspension Shock Mount - (Clamp Adaptor)
A shotgun microphone suspension shock mount for high end video cameras. The SM5 shock mount is designed specifically to fit Panasonic® and Sony® video cameras with clamp mounts.Features a 4-way rubber suspension with an integral Ø24 mm …
Published by todd at January 10, 2006

Main Features
Multi-format In/Multi-format OutDesigned for a wide range of workflows in mid, post and live video productions, the VC Series offers flexible format conversion of Digital/Analog, HD/SD or compressed/uncompressed signals. The VC series also accepts signals and direct connections from computer RGB sources. A wide variety of …
Published by guy at January 3, 2006


Why shoot with a diffusion filter? Why will …
Published by Josh at December 31, 2005
Features:
* Deinterlace movies (half height/normal height/double frame rate/blend,adaptive/simple). * Change field dominance (for PAL films with fake interlace). * Reinterlace from one or two movies. * Standards conversion (PAL< ->NTSC or custom). * Inverse telecine. * Trim, shift, simple color correction, noise reduction. * Change encoding (RGB gamma, video range/full range). * Fix jagged edges. * Pitch preserving sound track …