nanoFlash from Convergent Design records video, audio and timecode from an HD-SDI stream onto CompactFlash (CF) cards, employing the high quality Sony 4:2:2 MPEG2 codec for compression. Boasting an incredible small size and super low power consumption, nanoFlash stands poised to revolutionize the broadcast video industry.
The camera-mountable nanoFlash, a miniaturized version of the award winning Flash XDR, has two CF card slots and embedded audio support only. nanoFlash can be powered from a camcorder battery (6.5-20VDC) and records 1080i60/50, 1080p30/25/24 or 720p60/50 at full raster (1920 x 1080i/p and 1280×720p) 4:2:2 …
The Steadicam Merlin Arm and Vest make extended shooting nearly effortless. Even with heavy cameras – up to seven pounds (3.2kg) with the optional Metal Gimbal – the Merlin can now fly for hours without undue fatigue, and preserve all the flexibility and reach of the operator’s own arms.
The 2.6lb (1.2kg) Merlin Vest is the lightest and thinnest ever made – it can even be worn under a tuxedo jacket – and it’s designed to fit the entire gamut of human sizes and shapes. For 23kg eight-year-olds or 150kg linebackers, the Merlin Vest …
A brand new addition to the Lens Control range, the 521CFI puts all the functions of the 524CFI in a smaller clamp control suitable for use with the 595B Fig Rig, with jib arms and in a wide variety of other shooting setups, allowing the video operator to take full advantage of the latest compact HD camcorders with interchangeable lenses.The 521CFI offers the following controls: stepless progressive zoom, record/stop and RET (return – plays back last 3 seconds of footage, then stops at the last recorded frame ready to record again). The small …
Every now and then a reallly cool “widget” comes along that allows us creative types to accomplish the seemingly impossible. The M25 Tripod does just that! This tripod has all the “must be” features you’re looking for in a professional tripod - lightweight, capacity, stable and smooth. However, there’s one little “widget” that we’re sure you didn’t expect - 3″ travel distance of the Camera Mounting Plate! “What’s that do? Just ask creative types.”
3″ Travel Camera Mounting Plate allows for easy camera counterbalance.
See an article in Videomaker Magazine
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The Motu V4HD
Feature highlights
- HD/SD FireWire video interface for Mac and Windows — provides HD and SD capture and playback for any current-generation FireWire equipped computer
- Plug-and-play connectivity via FireWire 400 or 800 — connects to either a desktop tower or a portable laptop
- Supports Apple Final Cut Pro and Adobe Premiere Pro
- Captures and plays all standard HD and SD formats up to and including 1080p30 (720p, 1080i, 1080p and 1080PsF)
- Full-raster Apple ProRes workflow — supports full-raster capture and playback (1920×1080 and 1280×720) in Apple’s ProRes 422
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View individual episodes below.
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| SM5 |
| Suspension Shock Mount - (Clamp Adaptor) |
A shotgun microphone suspension shock mount for high end video cameras. The SM5 shock mount is designed specifically to fit Panasonic® and Sony® video cameras with clamp mounts.Features a 4-way rubber suspension with an integral Ø24 mm and Ø27 mm clamp mount adaptor.The SM5 incorporates a two way mounting system with 1/4″x 20 and 3/8″ x 16 internal threads, for Tripod and Boom Pole mounting.
| Availability: Usually ships in |
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Main Features
Multi-format In/Multi-format OutDesigned for a wide range of workflows in mid, post and live video productions, the VC Series offers flexible format conversion of Digital/Analog, HD/SD or compressed/uncompressed signals. The VC series also accepts signals and direct connections from computer RGB sources. A wide variety of output devices like record decks, data projectors or plasma/LCD displays can be directly connected.Designed for the Highest Quality ImageThe VC Series uses high quality A/D and D/A converters for input and output along with internal 4:4:4 10 bit signal processing. From …
Features:
* Deinterlace movies (half height/normal height/double frame rate/blend,adaptive/simple). * Change field dominance (for PAL films with fake interlace). * Reinterlace from one or two movies. * Standards conversion (PAL< ->NTSC or custom). * Inverse telecine. * Trim, shift, simple color correction, noise reduction. * Change encoding (RGB gamma, video range/full range). * Fix jagged edges. * Pitch preserving sound track for half speed. * Change movie speed, reverse movie. * Interlaced in/out, progressive in/out. * Includes utility to view and edit image description extensions * Separate utility for NTSC->PAL inverse telecine
to download, click here
I have not tried this… post …
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