NOW AVAILABLE THROUGH DVcreatorsUniversity!
DVcreators.net has been known as the world leader in Final Cut training since the day Final Cut Pro 1.0 was released.We were the training company Apple chose to help launch Final Cut Pro with training on disc, in workshops in over 60 cities and all major trade shows. We have taught alongside Randy Ubillos, the creator of Final Cut Pro (and talked him into adding some cool features to the application!). We’ve helped hundreds of thousands of FCP editors further their Final Cut Pro knowledge. Most of the …
As the next major release of the leading video post-production suite, the new Final Cut Studio offers powerful new features, dramatically improved performance, and tighter integration. Its six applications give video editors all the tools they need to edit, animate, mix, grade, and deliver — at a price that’s more affordable than ever!
Applications included in Final Cut Studio
- Final Cut Pro 7 for video and film editing
- Motion 4 for motion graphics and animation
- Soundtrack Pro 3 for audio post-production
- Color 1.5 for color grading and finishing
- Compressor
…
NOW AVAILABLE THROUGH DVcreatorsUniversity!
DVcreators.net has been known as the world leader in Final Cut Pro training since the day Final Cut Pro 1.0 was released.
We were the training company Apple chose to help launch Final Cut Pro with training on disc, in workshops in over 60 cities and all major trade shows. We have taught alongside Randy Ubillos, the creator of Final Cut Pro (and talked him into adding some cool features to the application!). We’ve helped hundreds of thousands …
Book Description
On a Mac, the sky’s the limit for creating professional video. With all the tools available though, it can be a daunting task to decide which ones offer the best solutions for combined efficiency and high-level results. How can you effectively communicate your vision to clients and crew? How should you calibrate your camera for multi-camera and green screen shoots? Is it better to do your keying in After Effects, Motion, or Final Cut? How should you set up your edit suite for efficiency and accuracy? How do you manage …
This is a common question and there are several answers:
First, the Final Cut Pro Canvas usually shows titles and graphics more pixelated and lower quality than the actual quality. Render a title and play it on a real monitor - or render and export a 10 frame test to disk and view to see the true picture.
Read these articles on monitoring: http://www.dvcreators.net/tag/monitoring/ for more info.
If you are rendering to the DV codec, you will see an instant drop in quality. But don’t worry, as long as you export to a lossless codec your final project will look great.
This article …
I remember heading to dinner 6 or 7 years ago with Randy Ubillos, creator of Final Cut Pro, telling him my vision for a future FCP update- incorporating some pre-production elements like storyboarding, in which the user would link captured clips to a storyboard frame, then FCP would rough cut the project together automatically, with multiple takes being multiclips so they could be easily compared.
Now, it’s possible Apple is patenting some storyboarding processes to incorporate into FCP?
Check out the whole article here.
What just happened to video on the web?
We are extremely excited to announce that DV Kitchen, the ultimate solution for publishing professional quality video on the web, is available immediately!
Click here to find out all about it and watch the new movies!
DV Kitchen’s primary focus is encoding and uploading broadcast quality, internet-friendly-bandwidth video to a website, blog, forum, or for a video podcast. You can import movies, encode them, and upload them in as few as two clicks!
…
If you notice a loss of connectivity between Final Cut Pro or Final Cut Express and your camcorder or deck after upgrading your versions of Mac OS X and QuickTime, here’s what you can do to resolve the issue.
- Remove QuickTime receipts:
- Go to /Library/Receipts/
- Locate the QuickTime receipts files.
- Select all QuickTime receipts that have version numbers as part of their names (but don’t select the other QuickTime receipts). Here’s an example of what they look like (you may have different receipts on your computer):
- Drag the selected receipts to the Trash.
- Download and install the latest version of QuickTime
…
When you’re finished with your edit, how should you export?
Well, it depends.
METHOD #1. Reference movie
If you want to export a temporary file as quickly as possible, export a reference movie.
File > Export > Quicktime Movie
UNcheck “Make Self-Contained”
Pros:
- If you’ve rendered your sequence, this is the fastest way to export
- The file size is very small - it only contains audio and pointers to the video files, no actual video
Cons:
- The exported file is fragile and not portable. If any of the referenced video files (including render files) are moved, renamed or deleted, or if the ref movie is moved to a different computer,
…
Final Cut (and other editing apps) will accept many kinds and formats of audio for import into the Browser or Timeline.
However, just because they will, doesn’t mean you should! 
If you import compressed audio, for example, in MP3 or AAC codecs, or audio in a different bit or sample rate than your Timeline (such as 44.1 KHz, 32 KHz or 12-bit), you will often hear clicks, pops, and audio dropouts while editing, which is distracting for your creative process, and in many cases your audio will require rendering before you can even hear it, which sounds like “beep-beep-beep-beep” and wastes …
Q: I have 10 zillion titles in my Final Cut Pro project. I just changed my mind and want to change them all to a different font.
What is the DVcreators.net Warp Speed Workflow™ way to do this?
For more info, check out:
Final Cut Pro Foundations
Final Cut Express Foundations
| Downloads 1313
The new Matrox MXO2 is the first truly portable device that gives you broadcast-quality input/output, monitoring, and up/down/cross conversion to streamline your workflow with Apple Final Cut Studio 2. It’s lightweight, fits in your laptop bag, and runs for hours on a field battery. It lets you work seamlessly in any format you want. Enjoy new-found freedom with Matrox MXO2 – edit anywhere!
Features
- Truly portable - fits in your laptop bag, runs off a field battery (or its AC adapter)
- HD/SD SDI, HD/SD analog component, Y/C, and composite inputs and outputs
- Genlock
…
Ever since the release of our DV Enlightenment lighting course, people are always asking us, “How did you make those awesome light rays on your titles?”
In that case, we used an excellent plugin for After Effects called Shine. Shine worked for a bit in Final Cut Pro years back, but then Apple changed the plugin API, and Shine no longer worked in Final Cut. (It works now, however!)
I’ve always liked the super-dramatic light rays effect, but the light rays filters in Motion and Final Cut Pro take too long to render… and frankly, …
| Downloads 5411
Here’s a quick tip (under 40 seconds) for instantly adding a soft glow to titles in Final Cut Pro or Express - without going into LiveType or Motion.
For more info, check out:
Final Cut Pro Foundations
Final Cut Express Foundations
| Downloads 1203
When you’re EDITING, you can make good decisions just watching the Canvas Window on your laptop.
But for color grading, it’s critically important to watch your show on a monitor that’s displaying an accurate image. Monitoring is important because all your color grading work is going to be off if the monitor you’re watching while you work is not telling the truth.
Think of all the ways viewers might watch your project. If you’re delivering on DVD, your show might be watched on plasma or LCD TVs, projectors, or older CRT TVs - but they also might be watching the DVD on …
Latest Comments
RSS