What is dvcCast!?
dvcCast! is the killer app for publishing video, images and audio on the internet.
Watch a 3 hour job being completed in 10 seconds here:
Watch the SampleLab™ tutorial here
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Archive for the 'broadcast' Category
Watch the SampleLab™ tutorial here
New 20x HD Video Lens, Enhanced Image Control and Other Refinements
LAKE SUCCESS, N.Y., April 10, 2008 – Building on the success of its acclaimed XL H1 High Definition (HD) camcorder, Canon U.S.A., Inc., a leader in digital imaging technology, has introduced the new shoulder mount XL H1S and XL H1A HD camcorders, which include new advanced features requested by professional users for improved operation and image control.
Canon’s new XL H1S and XL H1A camcorders, which will be on display at the 2008 NAB Show (Booth #SU3020), feature an updated Canon 20x HD Video Lens with three independent manual adjustment rings (focus, zoom and iris), as well as enhanced manual focus and zoom control. Additionally, the XL H1S and XL H1A incorporate an expanded array of controls for customizing the image, display, and operation to match individual needs.
Hello digital video cognoscenti!
We at DVcreators.net have been toiling away secretly in our labs for over a year, and many have wondered what we’ve been working on, where all that smoke is coming from, and why so many neighborhood pets are missing.
Today we are very excited to offer you the first in a series …
When you’re EDITING, you can make good decisions just watching the Canvas Window on your laptop.
But for color grading, it’s critically important to watch your show on a monitor that’s displaying an accurate image. Monitoring is important because all your color grading work is going to be off if the monitor you’re watching while you work is not telling the …
You’re shooting with your new HDV or HD camcorder, and the footage looks amazing! But are you really seeing the full picture?
Not unless you’re looking at a high definition monitor. But professional HD monitors are still expensive.
So, here’s an idea:
You can buy a LCD TV/computer monitor (the lines are being blurred more every day) that can be used for …
If your projects are going to be delivered on DVD or broadcast, it’s important to have an accurate studio monitor on your desk so you can see your project as your viewers will see it while you’re editing.
Why?
First, many editing programs show you a low quality "proxy" of your timeline, so you can’t judge color …
Intensity Pro (With Break out cables)
Intensity (HDMI Only)
Want to view your project out to an HD monitor? Add the incredible quality of HDMI to your computer. Intensity features the latest HDMI technology for the highest quality capture and playback on Windows or Mac OS X computers. …
I have shot multicam concerts locking up timecode by beaming wireless audio SMPTE timecode to all cameras and recording it on Ch 2, but I can tell you it was a big hassle and a waste of time.
My recommendation for multi-camera shoots is to either:
1. Use TOD (Free Run) Timecode
TOD (Time of Day) …
Interview with Red Camera’s Ted Schilowitz,"Leader of the Rebellion" here.
RED RENDERS OBSOLESCENCE OBSOLETE
The RED ONE™ body - designed for flexibility and functionality. Weighing in at under 7 lbs, a streamlined packaged designed specifically to maximize your shooting options, along with a 35mm PL lens mount allows you to take …
On the Canon H1, Rodney Charters says:
"We did manage to get footage out of the Canon and upload it to the D5 no problem. And it was this footage that we viewed at Level 3 post, where it made an amazing comparison against the 35mm dailies. The imagery was almost identical except for that nagging problem of almost …
When planning a project, keep these helpful tips in mind.
If you shot and edited a project in DV format, this is one recommendation:
- Check your edit to make sure luma (brightness) and chroma (color saturation) levels are within broadcast-legal ranges. Adjust if necessary.
- Check your project for audio clipping, and adjust levels if needed.
- Make sure you’re completely out a
…
Main Features
Multi-format In/Multi-format OutDesigned for a wide range of workflows in mid, post and live video productions, the VC Series offers flexible format conversion of Digital/Analog, HD/SD or compressed/uncompressed signals. The VC series also accepts signals and direct connections from computer RGB sources. A wide variety of …