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	<title>Comments on: How should I record narration?</title>
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	<link>http://www.dvcreators.net/how-should-i-record-narration/</link>
	<description>training and resources for digital video creators</description>
	<pubDate>Mon, 13 Oct 2008 06:08:45 +0000</pubDate>
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		<title>By: Sound Chaser</title>
		<link>http://www.dvcreators.net/how-should-i-record-narration/#comment-8897</link>
		<dc:creator>Sound Chaser</dc:creator>
		<pubDate>Wed, 13 Dec 2006 04:39:37 +0000</pubDate>
		<guid isPermaLink="false">http://dvknowledgebase.org/?p=18#comment-8897</guid>
		<description>As a pro FOH and Recording Engineer I have a personal collection of mics that range in price from $150. to $3,500.  
Here's a fact that a lot of people who own expensive equipment don't want to hear.  Price often does not have any bearing on quality.  Sure more bucks generally means better quality but, it's a diminishiiing rate of return.  In the case of microphones the rule really applies!  
What makes a microphone expensive is their notoriety.  Some mics just get a reputation for delivering a certain quality to a certain instrument.  Also, every mic will impart qualities to an instrument that have no bearing on price or desirebility.  ie: a $150. SM57 blows away a $3,000. U87 on Marshall guitar cabinets.

My advice, Audia Technica and Rode make excellent products you will be happy with, at a fraction of the price.  That said, I don't own many of them...my application is quite different.</description>
		<content:encoded><![CDATA[<p>As a pro FOH and Recording Engineer I have a personal collection of mics that range in price from $150. to $3,500.<br />
Here&#8217;s a fact that a lot of people who own expensive equipment don&#8217;t want to hear.  Price often does not have any bearing on quality.  Sure more bucks generally means better quality but, it&#8217;s a diminishiiing rate of return.  In the case of microphones the rule really applies!<br />
What makes a microphone expensive is their notoriety.  Some mics just get a reputation for delivering a certain quality to a certain instrument.  Also, every mic will impart qualities to an instrument that have no bearing on price or desirebility.  ie: a $150. SM57 blows away a $3,000. U87 on Marshall guitar cabinets.</p>
<p>My advice, Audia Technica and Rode make excellent products you will be happy with, at a fraction of the price.  That said, I don&#8217;t own many of them&#8230;my application is quite different.</p>
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		<title>By: sebastiengomez</title>
		<link>http://www.dvcreators.net/how-should-i-record-narration/#comment-73</link>
		<dc:creator>sebastiengomez</dc:creator>
		<pubDate>Tue, 07 Feb 2006 22:02:46 +0000</pubDate>
		<guid isPermaLink="false">http://dvknowledgebase.org/?p=18#comment-73</guid>
		<description>Hi Dan, I'll take a stab at this one after having to work with VO talent for many productions and recording them in my home studio for television broadcast. Obviously I needed the best quality and no loss or hissing and you're right, a good quality balanced condenser microphone is the only way to go. You probably, like myself, don't want to spend $1000 and up for a microphone so there is one alternative I have found. 

The LUMA M-AUDIO Microphone. 

?Ä¢ Inexpensive large capsule cardioid condenser
?Ä¢ 1.1?Äù evaporated gold diaphragm
?Ä¢ Solid brass capsule
?Ä¢ Class A solid state electronics
?Ä¢ Perfect for recording high quality piano, guitar AND vocal tracks.

It's $249.99 from M-AUDIO and well worth it. You could also purchase the ARIES which is $100 cheaper and still is a professional microphone but with a smaller condenser capsule.

&lt;a href="http://www.m-audio.com" rel="nofollow"&gt;http://www.m-audio.com&lt;/a&gt;

Have fun testing them out...

Sebastien Gomez</description>
		<content:encoded><![CDATA[<p>Hi Dan, I&#8217;ll take a stab at this one after having to work with VO talent for many productions and recording them in my home studio for television broadcast. Obviously I needed the best quality and no loss or hissing and you&#8217;re right, a good quality balanced condenser microphone is the only way to go. You probably, like myself, don&#8217;t want to spend $1000 and up for a microphone so there is one alternative I have found. </p>
<p>The LUMA M-AUDIO Microphone. </p>
<p>?Ä¢ Inexpensive large capsule cardioid condenser<br />
?Ä¢ 1.1?Äù evaporated gold diaphragm<br />
?Ä¢ Solid brass capsule<br />
?Ä¢ Class A solid state electronics<br />
?Ä¢ Perfect for recording high quality piano, guitar AND vocal tracks.</p>
<p>It&#8217;s $249.99 from M-AUDIO and well worth it. You could also purchase the ARIES which is $100 cheaper and still is a professional microphone but with a smaller condenser capsule.</p>
<p><a href="http://www.m-audio.com" rel="nofollow">http://www.m-audio.com</a></p>
<p>Have fun testing them out&#8230;</p>
<p>Sebastien Gomez</p>
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	<item>
		<title>By: Dan Perry</title>
		<link>http://www.dvcreators.net/how-should-i-record-narration/#comment-65</link>
		<dc:creator>Dan Perry</dc:creator>
		<pubDate>Thu, 26 Jan 2006 19:16:33 +0000</pubDate>
		<guid isPermaLink="false">http://dvknowledgebase.org/?p=18#comment-65</guid>
		<description>Can you recommend a good studio quality balanced condensor mic to record narration to tape? Thanks.</description>
		<content:encoded><![CDATA[<p>Can you recommend a good studio quality balanced condensor mic to record narration to tape? Thanks.</p>
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