DVcreators 1/8″ – 1/8″ Line to Mic Cable
Unbalanced 1/8″ to 1/8″ (mini) Stereo Cable w/ built-in -50dB Mic Pad. Perfect for taking the Line level output from a portable recorder to the Mic Input of the Canon 5D and Canon 7D. Also called 3.5mm or miniplug male to male cable. Works great with the Tascam DR-100 portable recorder.
Convert line-level signals to mic-level.
Availability: Usually ships same / next business day
Our Price: $45.00
The NTG-3 is the result of years of development by RØDE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone.
Using a technology known as RF-bias the RØDE NTG-3 is almost completely resistant to moisture, making it the only option when recording in any demanding environments where condensation is an issue.
In addition to its robust properties the NTG-3 combines very low weight (163g), a durable anti-glare finish and incredibly low handling and self-noise (13dBA) to become RØDE’s premier A/V microphone.
When not in use the NTG-3 can be stored away in the included weather resistant aluminium storage cylinder, providing additional protection when travelling and storing the microphone.
Rode NTG-3
Availability:Ships same/Next Business Day
Price: $699
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DVcreator Location Sound Package 3:
Location Sound Package 3 comes with:
RODE NTG-3 Shotgun
K-Tek KE series Boom Pole – Choose your length!
RODE SM3 Shockmount – Mounts on camera hot-shoe or boom pole!
Audio Technica Premium AT8314 XLR cables Audio Technica 30′ and a short 1.5′ XLR cable (for on-camera use).
All this for just $899!
K-Tek KE79CC
Max Length: 6′ 6″
Weight: 1.452 lbs
K-Tek KE89CC
Max Length: 7′ 6″
Weight: 1.6 Lbs
K-Tek KE110CC
Max Lenght: 9′ 2″
Weight: 23.5 oz
Select your boompole
DVcreator Location Sound Package 3
Availability: Usually ships same/next business day
Package Price: $899.00
The Location Sound Package 4:
This great package offers everything you need to capture great location audio!
The Rode NTG-3
The Rode Blimp
Your choice of K-Tek Boompole
A premium Audio Technica 30′ XLR Cable.
Normally purchasing all these items separately would cost over $1200, but here at the DVeStore we wrapped it up in a nice bundle for you: at only $999! Save over $200!
DVcreator Location Sound Package 4 – ADDS BLIMP
K-Tek KE79CC
Max Length: 6′ 6″
Weight: 1.452 lbs
K-Tek KE89CC
Max Length: 7′ 6″
Weight: 1.6 Lbs
K-Tek KE110CC
Max Lenght: 9′ 2″
Weight: 23.5 oz
Availability: Usually Ships Same/Next Day
Price: $999
Select your boompole
The two channel, DXA-2T is very easy to set up and use. It allows you to connect professional microphones with balanced XLR connectors to any camcorder with a mic jack. You can also easily connect wireless microphones and mixing boards. The adapter gives you all the benefits of using professional audio gear and noise free balanced inputs for superb audio. You can select either mono or stereo output mode and the independent trim controls allow you to set the ideal recording levels for each channel. Fits neatly under any camcorder and can also be mounted to a tripod.
Features include:
1) MONO / STEREO output switch
2) GROUND switch for noise free operation
3) LINE / MIC input switches
4) Ultra-slick trim controls
5) Auxiliary mini-jack input – ideal for wireless mics
6) Two balanced XLR inputs
7) Output mini-jack to camcorder
8) Retractable azimuth pin
9) Camcorder mounting bolt
10) Study die cast aluminum chassis
11) Premium shielded balancing transformers
12) Tripod socket
Beachtek DXA-2t
Availability: Usually ships same/next day
Price: $189
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The Sennheiser EW 172 G3-G wireless instrument system brings wireless freedom to your guitar rig! Using a combination of a compact bodypack transmitter and a very reliable rackmountable receiver, the EW 172 G3-G system makes it easy to “plug in” without the hassle of onstage cable tangles. Thiis system provides easy setup a wide AF frequency response for clear, natural sound; you can even choose a “virtual cable length” to get the response you prefer. A built-in EQ and tuner add to this system’s convenience, and bass players will love the extended frequency response. Free your yourself to play your best with the EW 172 G3-G system!
Sennheiser EW 172 G3-G Wireless Instrument System at a Glance:
A transmitter made to perform with you
You can rely on this receiver
Great sound from a wireless package
A transmitter made to perform with you
Sennheiser has packed many useful features into the lightweight SK 100 G3 bodypack transmitter. The SK 100 G3 has an easy-to-read graphic display, infrared sync, charging contacts, cable emulation, RF mute, an intuitive menu and much more. As features alone are no substitute for audio quality, the AF frequency response was expanded to 25Hz-18kHz for incredibly clear sound.
You can rely on this receiver
The rugged EM 100 G3 rack receiver is ready for the road with its proven transmission reliability and inspiring flexibility. A sound check mode allows you to check the audio and RF signal at any time during setup. Twenty frequency banks with 12 preset frequencies each — plus a user-programmable bank — mean you can easily run multiple channels of G3 wireless simultaneously.
Great sound from a wireless package
The system’s new cable emulator feature allows you adjust virtual cable lengths to get sound response just like a cable would provide. Another great new feature for guitarists is the built-in guitar tuner right on the display. A built-in 5-band EQ allows you to fine tune your sound even further. Bass players in particular will be pleased with the enhanced AF frequency response; it starts at a thundering 25Hz, which will especially please players with 5-string bass guitars. Sennheiser included all the accessories you need, including a power supply unit, an instrument cable, two antennas, two stacking elements, and AA batteries.
Sennheiser EW 172 G3-G Wireless Instrument System Features:
Sturdy metal housing (transmitter and receiver)
42MHz bandwidth: 1,680 tunable UHF frequencies for interference-free reception
Enhanced frequency bank system with up to 12 compatible frequencies
High-quality true diversity reception
Pilot tone squelch for eliminating RF interference when transmitter is turned off
Automatic frequency scan feature searches for available frequencies
Enhanced AF frequency range
Increased range for audio sensitivity
Wireless synchronization of transmitters via infrared interface
User-friendly menu operation with more control options
Illuminated graphic display (transmitter and receiver)
Auto-Lock function avoids accidental changing of settings
HDX compander for crystal-clear sound
Transmitter feature battery indicatation in four steps, also shown on receiver display
Programmable Mute function
Integrated equalizer, Soundcheck mode, and guitar tuner
Contacts for recharging BA 2015 accupack (not included) directly in the transmitter
G Band (566-608MHz)
Includes power supply unit, instrument cable, two antennas, two stacking elements, two AA batteries, and instructions
Sennheiser EW172 G3 Instrument Wireless System
Availability: Usually ships same/next business day
Price: $499.95
TASCAM’s DR-680 brings multi-channel portable recording within reach of any musician for polished live, location and surround recordings. Up to eight tracks can be recorded to solid-state SD card media at 96kHz/24-bit Broadcast WAV quality. Six mic inputs provide phantom power and 60dB of gain for great-sounding recordings with your condenser microphones. Record the six microphones along with a digital S/PDIF source for 8 track recording. Each mic input has a selectable low cut filter and analog limiter for optimal sound.
Inputs can be monitored using a built-in mixer with level and pan controls for each input. The stereo mixdown can even be recorded along with the six mics for quick stereo playback of the event. There’s even a built-in speaker to check recordings without headphones.
In addition to WAV recording up to 96kHz, the DR-680 captures stereo audio at 192kHz/24-bit for audiophile-quality masters. The DR-680 records up to four channels of MP3 audio for web-ready recordings. Two of the recorders can be connected with a cascade cable for up to 16-track recording on battery power.
Multi-channel portable recording has never been as simple or affordable as the TASCAM DR-680.
Also available from TASCAM, the HS-P82 offers multi-channel recording with timecode, more recording tracks, color touch screen interface, multi-channel digital I/O and more.
Tascam DR-680
Availability: Usually ships same/next day
Price: $999
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The Sanken CS-3E shotgun microphone provides convenient camera mountable size with the directional signal reproduction and range expected of larger, professional shotgun microphones. The CS-3E is designed for directional dialog capturing in studios or on location. The microphone implements 3 directional capsules arranged in a front-to-back array resulting in phenomenal super-cardioid directivity at high, mid and low frequencies.
The CS-3E is capable of maintaining high signal quality at longer distances, making it ideal for ceiling and overhead placement. In addition to exceptional super-cardioid off-axis rejection, the microphone capsule eliminates low-frequency proximity effect when used in close proximity to the signal source. Measuring only 10 inches in length, the CS-3E is a candidate for camera or boom pole mounting scenarios.
Sanken CS3e
Availability: Usually ships same/next day
Price: $1,415
The Sanken CS1 Shotgun Microphone
The Sanken CS-1 is a compact, professional shotgun microphone designed for film, video and broadcast applications. It’s slim, compact design conveniently allows on-camera mounting without obstructing the camera’s view. The CS-1′s cardioid polar pattern and off-axis rejection combine to deliver focused, targeted signal while eliminating noise and ambiance at the perimeter of the capsule. The microphone delivers narrow angle directivity in all frequency ranges to ensure accurate sonic performance and rejection with any signal source. A high SPL rating of 137dB allows reproduction of transient signals with no distortion, even at close proximity.
Sanken CS1 Microphone
Availability: Usually ships same/next day
Price: $825
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| See these products in action only in the DV eStore Theatre! |
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| Sennheiser Blimp Windscreen MZW60-1Regular price: $300 Our Price: $289.99 |
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| Sennheiser Pistol Grip MZS20-1 Regular price: $330
Our Price: $324.99 |
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| Sennheiser Long hair wind muff MZH60-1Regular price: $200 Our Price: $188.99 |
Here is a very simple device that makes life a little easier on those days when you’d rather not be doing two things at once. It’s called the Boom Boy.
It will hold any standard size boompole for hours without complaining. Your boompole is protected from scratches with the soft plastic coating while also being lightweight and small enough not to be a hassle to pack in your kit. The stainless steel post will mount to any “C” stand head or Mafer grip commonly found with most crews. The best thing is it doesn’t eat much and won’t talk back.
Remote Audio Boom Boy
Availability: Usually ships same/next day
Price: $29.95
For the last few years we have been searching for an inexpensive wind protection system. While we have featured the professional Sennheiser set-up in the DVeStore, the price point was out of reach for many of us. We just couldn’t justify spending $800+ on a serious package. Alas, RODE has developed a solution for us mere mortals to be proud of owning – the all new RODE Blimp.
We’re excited to bring professional quality wind protection to you for under $300! It’s an amazing value – no more ruined audio due to a bellowing gust. We’ve all heard it – that rumbling that is just so distracting and impossible to fix in post. Don’t be caught without a blimp on your next shotgun shoot outdoors! Not at this price – think about having to redo a scene over bad audio. This is the problem solver!
The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG-1, NTG-2 and NTG-3 microphones, as well as any third party shotgun microphone up to 325mm in length.
As said in the press release by Rode…
“The new RØDE Blimp is a complete windshield and shock mounting accessory, designed to accommodate the RØDE NTG-1, NTG-2 and NTG-3 shotgun microphones in addition to the NT4 stereo microphone and most third party shotgun microphones up to 325mm (12 ¾”) in length.
“During the design of the RØDE Blimp we continually focussed on adding tangible performance benefits for the user.” explained the RØDE Blimp’s Lead Industrial Designer, Matthew Hall. “None of the features unique to the Blimp were incorporated without careful analysis and consideration for their purpose. We took great care to ensure all elements worked cohesively and were integrated into the overall design in a manner to provide the best possible windshield product on the market today.”
The Blimp’s main housing is based on a 10 frequency geodesic dome, with a triangular cross-section that allows the part to be injection-moulded in one piece. This geometry creates a high open-area ratio that greatly improves the acoustic transparency over existing solutions, yet an unparalleled level of robustness and physical protection for the microphone. The end-domes can be easily removed by twisting off, allowing easy access to the microphone. An oversize thread allows easy and intuitive re-attachment of the domes, avoiding clip systems that are difficult to use and vulnerable to breaking.
A high quality ‘Dead Wombat’ synthetic fur cover and brush is supplied for additional wind protection in extreme environments.”
RODE Blimp – Limited Time Free T-Shirt offer – Large or XL only – specify in Comments
Availability: Usually ships same/next day
Price: $299
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The DR-100 from Tascam is a professional-quality portable digital field recorder designed for musicians, journalists, and more. The unit has 4 built-in microphones, 2 cardioid and 2 omnidirectional, with analog limiting and filtering features to provide excellent audio quality. Dual XLR inputs with +48V phantom power allow you to connect your favorite external condenser mics. Line in and out 3.5mm connectors allow you to connect additional sound sources, mixers, or speakers.
The DR-100 can record MP3 or WAV files to SD card flash media for stable and secure storage that’s also easy to share. The USB port makes it easy to transfer files to your Mac or PC for editing and sharing on the web. A built-in speaker allows you to play back recordings for a small group, and a 3.5mm stereo headphone jack lets you listen privately.
The DR-100 includes a rechargeable Li-ion battery to provide a long operating life. It can also run on standard AA batteries or an AC adapter (sold separately). An integrated mount allows you to attach the recorder to a standard mic stand: while the included wired remote lets you start recordings from a distance.
• Compact Design
The compact and robust design of the DR-100 makes it easy to take virtually anywhere
• High-Quality Audio
You can record and play high-quality WAV or MP3 files
• Stable Recording Media
Inexpensive and widely available SD flash memory cards provide a stable recording platform
• Built-in Microphones
The 4 built-in mics, 2 cardioid and 2 omnidirectional, with analog limiting and filtering, provide crisp, clear audio
• Dual XLR Jacks
The dual XLR jacks provide +48V phantom power, allowing you to connect your favorite external condenser mics
• Line I/O
Line-level 3.5mm input and output jacks let you connect additional equipment
• Listening Options
You can listen to your recordings via the built-in speaker or the 3.5mm stereo headphone jack
• USB Connection
The USB port makes it easy to upload your recordings to a Mac or PC for editing or sharing on the web
• Power Options
The recorder includes a rechargeable Li-ion battery, but can also operate on standard AA batteries or an AC adapter 1
• Wired Remote
The included wired remote lets you start recordings from a distance
• Mountable
The integrated mount allows you to attach the recorder to a standard microphone stand
Tascam DR-100
Availability: Usually ships same/next day
Price: $429.99
The PCM-M10 from Sony is a compact digital audio recorder that packs a wealth of features into a rugged design. The PCM-M10 can record MP3 or WAV files at rates up to 24-bit/96kHz. The stereo audio files can be stored on the 4GB of internal flash memory, or to a removable Micro SD or Memory Stick Micro card. The unit has built-in microphones for stereo recording, as well as 3.5mm mic and line input jacks for connecting an external mic, portable music player, and more.
The PCM-M10 features a 5-second pre-record buffer, ensuring that you never miss a priceless audio moment, even if you hit the record button a moment too late. The recorder also has digital pitch control, allowing you to adjust your recordings. The built-in USB port allows you to quickly transfer your files to a computer, while the monochrome LCD screen provides an intuitive operating interface. The recorder operates on standard AA batteries for easy replacement in the field.
• Compact and Rugged
The small and robust construction make this an ideal recorder for musicians or sound effects recordists working in the field
• High-Quality Audio
The unit records MP3 or WAV files at rates up to 24-bit/96kHz to capture every nuance
• Storage Options
Audio can be stored to the 4GB internal flash memory, or to removable Micro SD or Memory Stick Micro flash cards
• Onboard Mics
Onboard stereo microphones capture lively audio, and have LED level indicators
• Input Jacks
Standard 3.5mm mic and line inputs allow you to connect an external mic, music player, computer, and more
• Record Buffer
A 5-second pre-record buffer allows to you capture audio from 5 seconds prior to hitting the record button, so that you never miss a priceless moment
• LCD Screen
The monochrome LCD screen and intuitive buttons make it easy for anyone to use the recorder
• USB Port
A USB port is provided for quick file transfer to a Mac or PC
• Pitch Control
Digital pitch control lets you manipulate audio files
• AA Batteries
The recorder uses standard AA batteries for easy field replacement
Sony PCM-M10 Portable Recorder
Availability: Usually ships same/next day
Price: $299
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Sennheiser Evolution G2 Wireless Lavalier System
When you need freedom of movement in a scene, high-quality wireless microphones are the right choice of gear for the job. Say for instance you have a workout video you are shooting and the talent is moving from machine to machine while talking up the latest features in the products, unless you have a dedicated sound man with a mic on a boom pole, you’re going to get unusable audio. Wireless mics offer the ability to pick-up superb sound even in these type of demanding circumstances. The Sennheiser Evolution G2 has an impressive 1440 channels of Frequency Auto Scanning. The system is nearly “bulletproof” producing noise-free transmissions with good clean sound. The transmitter and receiver are both much smaller than the others on the market and made of solid metal, not cheap plastic, plus these have the backlit LCD read-out display. I especially like the VU meters on both the transmitter and the receiver. The meters even have peak hold! Unlike other wireless receivers with the “velcro mount solution” the Sennheiser EK100G2 receiver mounts to the camera via the hot-shoe or via the included accessory, you can clip it to anything you wish. Another awesome feature is called “Pilot squelch“. When enabled, this feature is sending a high-pitched tone at all times from the transmitter (it’s so high in frequency that not even dogs can hear it). If at any time this high-frequency tone is not picked up by the receiver, it automatically Mutes the channel- very cool. Tip: If you’re thinking of going with a really inexpensive system, it may be better to rent than own. Consult your local rental house. If the shot is worth shooting with a $3,000 camera, the audio is easily worth another $600! The unit ships with the high-quality ME2 lavalier microphone with both mini plug and XLR output cables. Also see the G2 ENG system below which is identical, but adds the optional plug-on transmitter which can be used to add to a handheld or shotgun mic. We’ve noticed that these units will run approximately 8 hours on two standard AA batteries in both the transmitter and receiver. Tip: Always use fresh batteries for a new shoot. Sennheiser Evolution G2 100 Series – Camera Mountable UHF Lavalier Wireless System with EW100G2 Receiver SK100G2 BodyPack Transmitter and ME2 Microphone (A 518-554MHz) Availability: Discontinued. |
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Sennheiser Evolution G2 ENG Wireless Lavalier System + Plug on Transmitter Same as above Evolution G2 Wireless lavalier system and adds SKP 100 G2 Plug on transmitter for use with handheld mic or shotgun. Note that you can only use either the plug-on transmitter or the lavalier, you can’t do both a wireless handheld and lavalier at the same time unless you have two receivers.We’re really excited about the ENG G2 Wireless system – this is exactly what the industry has needed for years. You can compare this system against anything up to $1200 and still find the G2 as the clear winner. Sennheiser Evolution ENG G2 100 Series – Camera Mountable UHF Lavalier Wireless System with EK100G2 Receiver, SK100G2 BodyPack Transmitter, and ME2 Microphone, plus SKP 100 G2 plug-on transmitter (A 518-554MHz)
Availability: Discontinued |
| SKP 100 G2 for making handheld and shotguns mics wireless | |
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DVcreator Location Sound Package 1:
RODE NTG-2 Shotgun
RODE 10′ Boom Pole
K-TEK Zeppelin Fuzzy Windscreen – Foam wrapped with fur
RODE Shockmount – Mounts on camera hot-shoe or boom pole!
Audio Technica Premium AT8314 XLR cables- Audio Technica 20′ and a short 1.5′ XLR cable (for on-camera use).
All this for just $499! Save over $200 !!
Everything you need to capture high-quality audio
DVcreator Location Sound Package
Availability: Usually ships same/next business day
Regular $680 Package Price: $499.00
The Rode M1 Dynamic Hand Held Microphone
Rode’s M1 dynamic microphone is ruggedly built with a die-cast body and a sturdy dynamic capsule – designed to thrive through night after night of stage abuse. This handheld microphone also offers an excellent balance of weight and ergonomics, so it’s comfortable for vocalists to hold and perform with onstage. What’s more, the Rode M1 carries with an impressive lifetime warranty from Rode – a testament to the microphone’s solid build construction. When you want studio-quality sound onstage, look no further than the Rode M1 dynamic handheld microphone.
Rode M1 Dynamic Microphone Features:
The Rode M1 is a rugged, great-sounding stage microphone – backed by a Rode lifetime warranty!
Quality Microphone from Rode
Rode Microphones was one of the earliest established manufacturers of professional and affordable recording-quality condenser microphones. Committed to offering the highest quality microphones possible for the dollar, Rode has developed a solid reputation among professional and project studios the world over for just that. In fact, their NT2-A won a series of accolades including “World’s Best Studio Microphone” at the prestigious Frankfurt Musikmesse. With corporate headquarters and all manufacturing based in Australia, we continue to see some of the highest quality, affordable microphones in existence from Rode Microphones.
Availability: Usually ships same/next day
Price: $99
The ENG-44 mixer has more important features than any other ENG audio mixer in its price class, and offers superb sound mixing quality, backed by our guaranteed ENG mixer specs. The ENG44 portable audio mixer is also compact, rugged, light weight, reliable and easy to use– strap it over your shoulder or use it table top for complete hands on sound control– on location or anywhere else. The ideal ENG mixer for video production.
Click this link to see an HD movie
ENG-44 Audio Mixer Features
* Four mic/line XLR audio inputs
* Expandable- Gang two or more ENG-44 mixers together for 8, 12 or more mic/line inputs
* Each mic/line input serviced by its own:
o Gain control pot (volume control)
o Switchable 48 volt phantom power
o Switchable low frequency roll off filter (low cut filter)
o Pan switch (left-center-right)
o Mic/line level switch
* Master Gain control
* Compressor/limiter with indicator light
* Mix buss input via 1/8″ jack
* Front panel slate mic with momentary push button for fail safe press-and-release voice slating
* Reference tone (1KHz tone oscillator)
* Switchable tape return input (for monitoring to confirm that audio is actually being recorded to tape)
* Tape return level adjust
* Balanced left and right channel XLR outputs
* Auxiliary 1/8″ unbalanced mic level stereo output jack
* Mixer main headphone output on 1/8″ jack with volume control
* Boom mic operator headphone out on XLR jack
(This eliminates need to carry a spare cable with 1/4″ plugs. Rely on the spare xlr cable you’re already carrying and carry a spare 1/4″ to xlr adapter)
* Power on/off switch
* Automatic battery/external power switching
* Battery and external power LED indicator lights
* Battery indicator flashes when battery life falls below 20%
* Slide out battery compartment for quick and easy battery changes
* Extended battery life– 14 hours of normal mixer operation conditions
* External power jack for use with AC adapter
* Mixer fully protected against battery or external input reverse voltage
* AC adapter included
* Rugged aluminum shoulder strap ears and attachable/adjustable shoulder strap
* Left and right channel LED audio VU meters
* Brightness switch for audio VU meters- switch to High for viewing in direct sunlight
* Left and right channel balanced XLR audio outputs
* Rugged anodized aluminum chassis
* Made in USA
* One year warranty
SignVideo ENG-44 Portable Mixer
Availability: Usually ships same/next business day
Price: $529.00
This is the most amazing mic comparison on the internet! Listen to a variety of shotguns and compare the sound quality right on this page!
A good quality shotgun mic will pickup great sound a few feet directly in front of the mic while at the same time rejecting sound from the sides. This is great for picking out just the sounds you want and is the most desirable and common microphone for DV filmmakers.
A question most new camcorder owners have is, “Which shotgun mic should I buy?” This usually happens after they shot some awesome footage, but later found that they can’t quite make out the intriguing dialogue from what was a light breeze but somehow now whips, rumbles and howls like a tornado.
The most important thing to remember in achieving high quality audio is microphone placement.
Get the mic as close as you can to the subject without getting the mic in the frame. It’s also important to “cue” or point the mic at the subject if you can and always monitor your audio through a pair of closed-eared headphones.
So if you’ve been getting bad audio, the solution is a high-quality shotgun mic, good wind protection if outdoors, and concentrate on getting that mic in as close as you can. With these few tips, your audio should improve remarkably. Remember, as George Lucas says, “Audio is 50% of your project.”
Check out the Shotgun Shootout QuickTime Movies:
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Juicedlink DT454 for DSLR Cameras
The Juicedlink DT454 XLR adapter is designed for DSLR shooters. Adding such great features as headphone out, VU meters, AGC defeat and more, this is a great addition to any DSLR Video rig!
DT454—XLR Adapter / Preamplifier / AGC Disabler
• 4 microphone channels (2 XLR, 2 unbalanced)
• Low-noise preamplifiers
• Meters
• 4 segment LED (each right/left)
• 2 sensitivity settings; adjustable
• Meters valuable with the new 5D 2.0.4 firmware, which does not show meters during recording
• 2 AGC Disable Approaches
• Tone
• Safety Mode (broadband noise)
• 30dB low-noise max gain (single-ended, stereo)
• Headphone Amplifier
• Playback Monitor
• 48V Phantom, plus 12V power saving mode
Availability: Usually ships same/next day
Price: $419
CX211 XLR Adapter
Enables connection of balanced audio signals to the 3.5mm stereo input jack on your camcorder. Interface with professional condenser/dynamic microphones and line level signals. Capable of interfacing with unbalanced sources, such as wireless mic receivers. An essential tool in professional video production and event videography.
• Inputs: 2 XLR balanced inputs
• Mic/Line Switch
• Unbalanced input capable – for wireless mic receivers, etc
• Neutrik locking connectors – pin1 direct connection to chassis
• Output: 3.5mm stereo jack
• Low-noise preamplifier:
• 3 gain settings
• Improves camcorder signal-to-noise ratio
• Frequency Response: +/- 1dB typ, 20Hz-20kHz
• Power:
• Single 9V battery (not included)
• Current consumption: 28mA typical
• Battery life ~16 hours (typical, alkaline type battery)
• Mechanical:
• Black Anodized aluminum enclosure for EMI protection and rugged use
• Mounts to bottom of camcorder
• Mounts to top of tripod
• Facilities to attach shoulder strap (not included)
• Case Dimensions: 4.3” x 3.4” x 1.53”
• Weight: 12 ounces (no battery)
• Includes: 9” cable with 3.5mm plugs, 1/8” allen wrench key
• 1 year limited warranty
Juicedlink CX211 Adapter
Availability: Usually ships same/next day
Price: $189
CX231 XLR Adapter with Phantom Power
Enables connection of balanced audio signals to the 3.5mm stereo input jack on your camcorder. Interface with professional condenser/dynamic microphones and line level signals. Capable of interfacing with unbalanced sources, such as wireless mic receivers. An essential tool in professional video production and event videography.
• Inputs: 2 XLR balanced inputs
• Mic/Line Switch
• Unbalanced input capable – for wireless mic receivers, etc
• Neutrik locking connectors – pin1 direct connection to chassis
• Output: 3.5mm stereo jack
• Low-noise preamplifier:
• 3 gain settings
• Improves camcorder signal-to-noise ratio
• Frequency Response: +/- 1dB typ, 20Hz-20kHz
• Power:
• Single 9V battery (not included)
• Current consumption: 28mA typical
• Battery life ~16 hours (typical, alkaline type battery)
• Mechanical:
• Black Anodized aluminum enclosure for EMI protection and rugged use
• Mounts to bottom of camcorder
• Mounts to top of tripod
• Facilities to attach shoulder strap (not included)
• Case Dimensions: 4.3” x 3.4” x 1.53”
• Weight: 12 ounces (no battery)
• Includes: 9” cable with 3.5mm plugs, 1/8” allen wrench key
• 1 year limited warranty
Juicedlink CX231 Adapter
Availability: Usually ships same/next day
Price: $299
DN-101 Adapter for Juicedlinks. Adds Headphone out and AGC defeater for DSLR cameras.
This new adapter by Juicedlink solves some major issues with DSLR video shooting. By overloading one channel, it defeats the camera’s AGC, and gives you better audio. It also provides headphone out so you can monitor your audio without having to wait until playback, or recording to an external device. Works perfectly with a Juicedlink XLR to 3.5mm adapter!
Juicedlink DN-101 DSLR Adapter
Availability: Usually ships same/next day
Price: $139
This is a Bogen Justin Spring Clamp which clamps onto pipes up to 1.6″ in diameter, or stands or arms that have a 5/8 in top, or 3/8 in thread. It also features a cold flash swivel shoe for attaching a shoe-mount flash. A very versatile piece of equipment, it’s a must for any location shooter!
Availability: Available now. Usually ships same or next business day!!
Price: $54.95
The R-44 is a compact, four channel, solid-state field recorder that uses SD or large capacity SDHC cards as the storage media enabling quiet and reliable recording for a variety of professional audio needs. Capture up to 4 channels of uncompressed audio with selectable bit depths (16-bit or 24-bit) and sampling frequencies (44.1kHz/48kHz/88.2kHz/96kHz/192kHz). Onboard effects include limiter, low cut filter, 3-band EQ, 6-band GEQ, Enhancer, and DeEsser.
The R-44 only weights 2 Lbs! Its’ compact design makes it great for almost every location sound solution with the R-44 being solid state you never have to worry about bumping it and killing the hard drive that is built in. Edirol also makes a great carry solution for the R-44. Even a Boom operator could just sling the bag over their shoulder and hit record. No more awkward cables going between the Boom operator and the camera.
This is also a great soution for live events. You could take a direct ling out of the house soundboard. Getting any and all music abd microphones that are being sent to the house mix. Along with that, you might set up a stereo pair of microphones to pick up an over all good room tone for your base track. This give you that “Live” feeling to the mix.
The possibilities are endless with this versatile, compact, light weightm field recorder!
Features
Pro quality four channels recordings to large capacity SDHC cards.
The Edirol R-44 is designed for professional use within a very conveniently sized package. Capture up to 4 channels of uncompressed audio with selectable bit depths (16-bit or 24-bit) and sampling frequencies(44.1kHz/48kHz/88.2kHz/96kHz). R-44 employs SD cards or large capacity SDHC cards as the recording media. No moving parts enables the most silent and reliable operation possible.
Built-in stereo microphones and monitor speakers
Although the R-44 is compact, all the necessary functions are included. Built-in high quality microphones and speakers make recording and monitoring without external devices possible.
Built-in Effects
3-Band EQ
3-band parametric EQ ; allows precise equalization with high/low shelving and peaking
6-Band Graphic EQ
6 point frequency band equalization; ideal for recording
Noise Gate
Minimizes noise during low audio levels, cuts low frequency noise
Enhancer
Cleary defines and enhances sound; good for dialogue
Comp & DeEsser
Cuts hissing, smoothens the sound, makes audio level uniform
MS Mic Mixing
Generates stereo mix with specified spread from inputs of Mid-Side Microphones
* Effects can be applied on both input and output
* Effects are not available while sample rate is set to 192kHz
Built-in limiter, low-cut filter and studio class effects
An on-board limiter helps suppress sudden peaks in sound from an input source. A low-cut filter is included to help prevent things like wind noise or mic handling noise. Studio class effects such as 3-Band EQ, 6-Band GEQ, Enhancer or DeEsser can be used as tools to greatly improve audio quality. Effects can be applied while recording or simply for monitoring/playback.
Pre-Record function ensures you never miss that important moment again
The Pre-Record function buffers input signals for a user-definable amount of time. When the REC button is pressed, the material from the previous few seconds (selectable) is included. This also helps reduce sound bites at the beginning of a recording by not having to start the recorder too early.
Combo type analog jacks and digital output enables connection with a variety of devices
The combo input jacks (4) supports the connection of both XLR and 1/4 inch plugs. XLR inputs are equipped with phantom power. Eleven steps of input sensitivity enable the connection of various devices with a variety of inputs levels from microphones to musical instruments. High quality analog circuitry in the preamp ensures superior recording results.
High-contrast Organic LED display and operation-oriented user interface
The high contrast, high response organic LED screen, viewable from wide angles ensures fluid operation in field recording situations. The high response of level meters makes precise level adjustments possible. All the necessary switches and knobs are located on the top and front panels. Self-lit buttons on all the key controls enable clear-cut recording operations.
Capture eight channels by linking two units
The Control Sync terminal enables synchronized operation of 2 units. Control the second unit from the master by simply connecting two with a stereo mini cable. The master unit can remotely control REC standby, REC start and REC stop of the slave unit. This function enables 8-channel recording in a compact space and at an affordable price.
Link to computer via high speed USB
The R-44 storage can be mounted on computers with a simple USB 2.0 connection. It is seen as an USB storage device on any computer. You can copy data back and forth with a simple drag & drop operation.
Four hours of recording with four AA batteries
The R-44 can be operated with 3 types of power: AC adaptor, 4-pin external battery and AA batteries. Four hours* of operation is possible with NiMH or alkaline batteries.
* at 16-bit/44.1kHz stereo. No phantom power and pre-record disabled.
Edirol R-44
Availability: Usually ships same/next day
Price: $995 – Free 16GB SD Card!
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The Sony UWP Series UHF synthesized wireless microphone system. Package includes a lavalier microphone, bodypack transmitter, plug-on transmitter and a portable tuner. Mounting adapter for camcorder included. Channels 30 to 33. The UWP-V6 includes extremely robust metal construction, mic/line input selection on the bodypack and plug-on transmitters, a miniature metal body omni-directional lav microphone and plus the receiver includes a convenient auto channel scanning function allowing automatic search for unoccupied channels.
Consists of a omni lavalier microphone, bodypack transmitter, plug-on transmitter and portable tuner
Suitable for a wide range of applications, from news gathering and interviews to talk shows and conferences
The bodypack transmitter is supplied with a belt clip
The lavalier microphone is supplied with a windscreen and mic holder clip
The plug-on transmitter can be used to convert an XLR type wired microphone into a wireless microphone
The tuner is supplied with a shoe-mount adaptor (for camcorder mounting) and 2 cables (3-pole mini-plug/XLR and 3-pole mini-plug/stereo mini-plug)
Availability: Usually ships same / next business day
Regular price: $949
Our Price: $730 Save !!!
Also available, the Sony UWP-V6 Wireless system without the plug-on transmitter.
Availability: Usually ships same / next business day
Our Price: $525
Evolution Wireless G2 300 Series Wireless Systems
The new Evolution G2 series is redesigned from the inside out. With features such as much smaller body packs, larger backlit LCD displays, AutoScan® function on all receivers, 36Mhz switching bandwidth, and the most intuitive user interfaces available, Evolution G2 is one of the most advanced, best sounding, easy-to-use, road-worthy wireless microphone system available today.
The Sennheiser EW 312 G2 is a complete wireless system combining the Evolution 300 series rackmount receiver, an SKM300 G2 bodypack transmitter, and an ME2 omni lavaliere microphone.
Sennheiser EW-312 G2 Set At A Glance:
Increased Flexibility and Power
For increased flexibility and power, the 300 Series is an excellent choice. It gives you eight switchable presets (reprogrammable to any of the 1440 available frequencies), peak-hold level and battery meter status indicators, and variable-level balanced XLR and unbalanced TS 1/4″ connectors. In addition, an alphanumeric name can be assigned to the receiver.
Sennheiser EW-312 G2 Set Features:
Call for info and availability on the Sennheiser MKE-2 lavalier or HSP4 headset.
Availability: Usually ships same/next day
Price: $879
Super high quality Wireless microphone set-up for church, school, corporate, or live event from Guy Cochran on Vimeo.
A light stand and a boom, all in one!!!
The Boom Stand is a 3 riser compact stand that can be rapidly converted into a stand with boom arm.
The pivoting collar on the stand allows the top two extensions to be tilted for use as a telescopic boom arm.
Attachment: 5/8″ receiver and 5/8″ stud with 1/4-20″ and 3/8″ threaded tips.
Comes with Empty Sand Bag counterweight.
Availability: Usually ships same/next day
Price: $173
Photoflex Rock Steady Counterweight Bag
Incredibly versatile, Photoflex’s new RockSteady Bag can be stored and transported empty, then filled with sand or other ballast to the exact weight needed. When filled, the bag is ideal for stabilizing LiteStands and counter-balancing boom arms.
The saddlebag design is great for securely stabilizing light stands. Heavy duty material and double-stitch seams provide strength, durability, and impact resistance. Double-opposing zippers ensures containment of ballast.
· Filled Max. Weight – 22 lbs. (sand)(9.98kg)
· Empty Weight – Less than 1 lb.(453gm).
Availability: Usually ships same/next day
Price: $22.95
Introducing the Combi Boom – A must have stand for lighting and location sound from Guy Cochran on Vimeo.
The R-09HR is a professional, high-definition recorder that travels light and performs like a heavyweight. With crystal-clear 24/96 fidelity, the R-09HR is the new flagship of EDIROL’s award-winning R-series recorders.
24-bit/96kHz linear PCM high-resolution, low-noise recording
Newly developed Isolated Adaptive Recording Circuit (I.A.R.C.)
High-grade, high-sensitivity stereo condenser microphone built in
Records to SD or SDHC memory card (Up to 8 GB)
Compact, hand-held body for convenient portable use
Wide view-ability on large OLED (Organic Light-Emitting Diode) display
Preview speaker built in
Wireless remote controller included
High-speed file transfer via USB 2.0 connection to computer
Cakewalk “pyro Audio Creator LE” wave-editing software included
Edirol R-09HR Hand Held Stereo Recorder
Availability: Usually ships same/next day
Price: $399
The EW135 is a great addition to Sennheiser’s Evolution family of wireless handheld microphones. The UHF wireless microphone system features 1440 tunable frequencies within a 36MHz switching bandwidth for greater tuning flexibility and 4 frequency presets . Autoscan on all receivers for simple and secure frequency selection. Robust metal construction for durability.
Photoflex Rock Steady Counterweight Bag
Incredibly versatile, Photoflex’s new RockSteady Bag can be stored and transported empty, then filled with sand or other ballast to the exact weight needed. When filled, the bag is ideal for stabilizing LiteStands and counter-balancing boom arms.
The saddlebag design is great for securely stabilizing light stands. Heavy duty material and double-stitch seams provide strength, durability, and impact resistance. Double-opposing zippers ensures containment of ballast.
· Filled Max. Weight – 22 lbs. (sand)(9.98kg)
· Empty Weight – Less than 1 lb.(453gm).
Availability: Usually ships same/next day
Price: $22.95
Remote Audio Wireless Pouch Kit
Availability: Usually ships same/next day
Price: $28.00
Protects the sound:
The RAINMAN softens the impact of rain drops falling onto the boom microphone.
Protects the microphone:
The RAINMAN channels rain away from the microphone, along the outside of the “zeppelin” style windscreen.
How does it sound?
Like it’s not even there. The RAINMAN is more acoustically transparent than traditional “furry” windshield covers
The RAINMAN is made of a soft, lightweight batting that does not absorb water or mat up when wet. Instead, the rain drops simply slow down as they flow through and are channeled out the front. The exterior is net material with sturdy stitching and a Velcro closure. The RAINMAN easily slides onto most windscreens, and is secured with Velcro.
The RAINMAN goes on and off quickly and easily. To install the RAINMAN, simply slide it on with the open end at the front of the microphone then close the Velcro slot.
In heavier rain, the RAINMAN may eventually take on water faster than it can channel it through. In this case, it may be a good idea to occasionally remove the RAINMAN and shake or wring the water out. With a little experience you will get a feel for when and how often this should be done. The RAINMAN’s effectiveness has been proven in actual production environments.
It is recommended that the RAINMAN be used without a furry wind cover. However, for added wind protection, a stretchy “sock” type cover may be used under the RAINMAN.
Remote Audio Rain Man
Availability: Usually ships same/next day
Price: $99.95
The “Fat-Cat” (big brother to the popular Micro Cat) is the ultimate in simple wind protection for short microphones.
Designed primarily for broadcast use, the Fat-Cat is perfect for handheld interview microphones such as the Electro-Voice RE-50, Shure VP-64, AKG D-230, and Beyer M-58.
The Fat-Cat is also an ideal universal outdoor windscreen for short boom microphones such as Schoeps CMC, Sennheiser MKH-40 & 50, Neumann KM-series, AKG Blue Line, etc.
Remote Audio Fat Cat
Availability: Usually ships same/next day
Price: $68.00
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