Published by todd at September 14, 2007

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This new wave monopod was so popular at the NAB tradeshow in Vegas, that everyone who got their hands on it kept asking the same question, “Can I buy this one?” It’s that cool. When you pan and feel how smooth the action is you’ll fall in love with it.
The 561B …
Published by todd at August 1, 2007

Building on the success of the R-1, the R-09 takes many of the most desired features — 24-bit uncompressed recording and a built-in stereo mic — and shrinks it all down into a more streamlined, stylish, and affordable package.
24-bit/48kHz (or 44.1kHz) linear PCM recording
Ultra portable, half
…
Published by todd at May 12, 2007

The HVR-Z7U is the world’s first HDV handheld camcorder that uses 1/3-inch bayonet mount interchangeable lenses. This new HDV camcorder delivers the enhanced functionality professionals have been asking for, such as an interchangeable lens system, native progressive recording, and solid-state memory recording functionality. A streamlined nonlinear editing workflow is achieved using the supplied Memory Recording Unit, which provides …
Published by todd at April 23, 2007

The RØDE NT1-A. Winner of the Electronic Musician 2004 Editor’s Choice Award and the world’s quietest studio condenser microphone. This redesigned version of RØDE’s classic NT-1 has only 5 dBA of self-noise.The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some …
Published by todd at April 22, 2007

The MXL Mic Mate™ Preamp & A/D Converter
Never miss that moment of inspiration
Plug any mic into your computer with the Mic Mate™ and enjoy studio quality results.
Recording into your Mac or PC has never been simpler.
This pocket sized device features a 16 bit Delta Sigma
…
Published by todd at January 30, 2007

A brand new addition to the Lens Control range, the 521CFI puts all the functions of the 524CFI in a smaller clamp control suitable for use with the 595B Fig Rig, with jib arms and in a wide variety of other shooting setups, allowing the video operator to take full advantage of the …
Published by todd at January 30, 2007

This System works great with a ReflecMedia Back Drop
The Photoflex ProDuty™ BackDrop Support Kit includes our new BackDrop Pole, two 2320Y LiteStands, and a rugged carry bag to hold the whole kit. Shoot with confidence with this strong, stable outfit.
The BackDrop Pole is a single-unit with telescoping sections that constructs easily …
Published by todd at January 26, 2007
AT4073a
Line + Gradient Condenser Microphone

The AT4073a sets new standards in small size and light weight. With an overall length of just 9.13” and weight of just 4.0 oz, the mic adds virtually no heft to the end of a fish pole or the top of a minicam. Through the use of an …

The AT4073a sets new standards in small size and light weight. With an overall length of just 9.13” and weight of just 4.0 oz, the mic adds virtually no heft to the end of a fish pole or the top of a minicam. Through the use of an advanced, propriety Audio-Technica design, the interference tube of the AT4073a provides a narrow acceptance angle that would require a tube 50 percent longer using conventional technology. Audio-Technica has pioneered a unique interference tube design* in the AT4071a and AT4073a shotgun mics that provides the same directivity as mics up to 50 percent longer.
- Designed for critical long-distance pickup in broadcasting, film/TV production and theater sound reinforcement applications
- Direct-coupled, balanced output ensures a clean signal even in high-output conditions
- Exclusive acoustic design* provides same directivity as mics up to 50% longer
- Switchable 150 Hz hi-pass filter
- Rugged housing made of lightweight structural-grade aluminum alloy
SPECIFICATIONS
|
|
| ELEMENT |
Externally polarized (DC bias) condenser |
|
| POLAR PATTERN |
Line + gradient |
|
| FREQUENCY RESPONSE |
30-20,000 Hz |
|
| LOW FREQUENCY ROLL-OFF |
150 Hz, 12 dB/octave |
|
| OPEN CIRCUIT SENSITIVITY |
-23 dB (70.8 mV) re 1V at 1 Pa |
|
| IMPEDANCE |
100 ohms |
|
| MAXIMUM INPUT SOUND LEVEL |
126 dB SPL, 1 kHz at 1% T.H.D. |
|
| NOISE |
14 dB SPL |
|
| DYNAMIC RANGE (typical) |
112 dB, 1 kHz at Max SPL |
|
| SIGNAL-TO-NOISE RATIO |
80 dB, 1 kHz at 1 Pa |
|
| PHANTOM POWER REQUIREMENTS |
11-52V DC, 3.2 mA typical |
|
| SWITCH |
Flat, roll-off |
|
| WEIGHT |
4.0 oz (114 g) |
|
| DIMENSIONS |
9.13″ (232.0 mm) long,
0.83″ (21.0 mm) diameter |
|
| OUTPUT CONNECTOR |
Integral 3-pin XLRM-type |
|
| ACCESSORIES FURNISHED |
AT8405a stand clamp for 5/8″-27 threaded stands; AT8134 windscreen; protective carrying case |
|
| AUDIO-TECHNICA CASE STYLE |
SG2 |
|
|
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AT4073a
Availability: Usually ships same/next day
MSRP: $895
Price: $549
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Published by todd at January 26, 2007
Lowel Rifa 44 Ex Egg Crates
Fabric Egg Crates
For better light control. Each Egg Crate attaches quickly and afterwards folds up to a compact size.
40° x 40° Egg Crate
Code: LC-44EC/40
Weight: 7 oz (196 g)
Fabric Egg Crate with 40° dispersion angle.
Egg Crate for Rifa 44
Availability: …
Published by todd at January 23, 2007

K-Tek Fuzzy Windscreen Zeppelin Medium
Availability: Usually ships same/next day
Price: $99
…
Published by todd at January 23, 2007

The M3 is an extremely versatile microphone that is at home in the studio, on location, or wherever a low-noise wide-response cardioid condenser microphone is demanded.
An end address condenser microphone, the M3 features a heavy-duty metal body, category leading low self-noise, three stage PAD (O, -10db, -20db), a battery status LED and a High …
Published by todd at January 23, 2007

The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries.
The NTG-1 provides an electronically balanced output stage and operates on 48 V to the P48 standard. If your camera does not have built-in phantom power see the RODE …
Published by todd at January 23, 2007
Formatt FM 600 Matte Box


Formatt FM 600 Matte Box, filter is not included.
Formatt FM-600 Matte Box The FM600 Matte Box is the entry level offering from Formatt Filters and represents excellent value for money …
Published by todd at January 21, 2007

This specialized arm allows simultaneous use of an LCD monitor and a hot shoe mount camera light or shotgun mic. The extension arm base mounts in any hot shoe, and puts another hot shoe in its place. Extension arm is perfect for any camcorder with a Hot Shoe. Hama Adjustable …
Published by todd at January 19, 2007

The First Card for OS X & Final Cut Pro to Offer HD, SD Analog & Digital I/O
Not an entry-level card, KONA LHe offers a full ride to HD with no-compromise, 10-bit uncompressed video, 2-channel AES and 8-channel embedded audio, analog composite/component video I/O, 2-channel analog audio I/O, broadcast-quality …
Published by todd at January 19, 2007


HD … anywhere you want it.
AJA’s Io HD is the latest in the award-winning Io family of products—an effortless to use, transportable plug-in solution for working with HD and SD in Final Cut Studio 2. With a single FireWire 800 connection, Io HD uniquely supports the amazing new Apple ProRes 422 …