Monthly Archive for December, 2007

Remote Audio Wireless Pouch Kit


Includes:

  • (1) Pouch, with Velcro over-the-top
  • (1) Leg elastic strap
  • (1) Waist elastic strap

Remote Audio Wireless Pouch Kit

Availability: Usually ships same/next day

Price: $28.00



Remote Audio RainMan

Protects the sound:
The RAINMAN softens the impact of rain drops falling onto the boom microphone.

Protects the microphone:
The RAINMAN channels rain away from the microphone, along the outside of the “zeppelin” style windscreen.

How does it sound?
Like it’s not even there. The RAINMAN is more acoustically transparent than traditional “furry” windshield covers

The RAINMAN is made of a soft, lightweight batting that does not absorb water or mat up when wet. Instead, the rain drops simply slow down as they flow through and are channeled out the front. The exterior is net material with sturdy stitching …



Remote Audio Fat Cat

The “Fat-Cat” (big brother to the popular Micro Cat) is the ultimate in simple wind protection for short microphones.

Designed primarily for broadcast use, the Fat-Cat is perfect for handheld interview microphones such as the Electro-Voice RE-50, Shure VP-64, AKG D-230, and Beyer M-58.

The Fat-Cat is also an ideal universal outdoor windscreen for short boom microphones such as Schoeps CMC, Sennheiser MKH-40 & 50, Neumann KM-series, AKG Blue Line, etc.

Remote Audio Fat Cat

Availability:



Remote Audio Fuzzy Windscreen for Lavalier Microphones

The Original Miniature Windscreen.
The Micro-Cat Miniature Windscreen allows the use of lavaliere microphones in windy conditions that would otherwise cause serious audio problems. They really work

Hand-made from a fuzzy outer layer plus two additional inner layers of open weave fabric, the Micro-Cat very effectively stops wind from reaching the microphone to substantially reduce wind noise while remaining sonically transparent. The elastic opening easily fits over most lav microphones with diameters of up to 12mm.

Micro Cat windscreens and their handy screwdriver companions. When used with narrow microphones such as the Sanken COS-11, the microphones …



Remote Audio Adapt-a-Pak

Smaller than the original; still with the most commonly needed adapters.

The Adapt-a-Pak LT Kit includes 27 adapters total, of 19 types.

The case is constructed of clear plastic making possible a quick visual confirmation of what you have. This case also includes adjustable dividers.

Remote Audio Adapt-a-Pak Kit

Availability: Usually ships same/next day

Price: $110.88



Remote Audio ENG Breakaway Cable

This is the Remote Audio Breakaway Cable with return for Sound Devices 302 & Mix Pre, Shure FP-33/32A and Wendt NGSX2 mixers. 2 female XLRs and 1 straight stereo mini on mixer end.

Remote ENG Breakaway Cable

Availability: Usually ships same/next day

Price: $240.80



Where can I find Hollywood movie Scripts?

http://www.dailyscript.com/movie.html



Canon HF-10 & HF-100 announced

Canon has announced two tapeless camcorders in their consumer line, the HF10 & HF100, to be available in April.

The HF10 has 16GB of internal flash memory, and it can also record to removable SDHC cards. The HF100 doesn’t have the SDHC slot and is silver.

It features a 12x HD Video Lens, 3.3 Megapixel Full HD CMOS Image Sensor, 2.7-inch LCD, microphone terminal, 24p Cinema Mode, and 30p Progressive Mode once limited to pro-level camcorders for fast action events sporting events and the like. The HF100 model is pretty much the …



Azden FMX-42 4 Channel Portable Mixer

The Azden FMX-42

Having 4 balanced XLR line/mic inputs with individual level and pan controls, the FMX-42 provides switchable (per channel) 48V phantom power and limiting, professional quality VU meters for accurate level setting, master level control, 1 k tone generator, 2 balanced XLR outputs (line/mic switchable), stereo mini-jack output for DV cameras and a headphone monitor with level control.

The FMX-42 can be powered by either 6 internal “AA” batteries or a 12V external supply (optional). A ballistic nylon carrying case is included.

Technical Specs:
GENERAL
Frequency Response
Balanced and Unbalanced Output:
20 Hz - 30 kHz (± 1.5 dB)

Monitor Out: 30 Hz …