Monthly Archive for August, 2005

Location Sound (the secret to making your project “look” great)

With all of the attention and time that’s spent on shooting great footage, recording quality sound is often overlooked. A questionable visual shot here or there in your finished project will likely be unnoticed and just merge into the flow of the story- IF you have an excellent soundtrack that holds the edit together and makes great shots and average shots all flow together into a flawless final masterpiece. That is the great big Hollywood secret to moviemaking.

But a section, or even a single shot with bad sound will shock your enraptured viewers out of their reverie and immediately destroy the continuity of the edit, and thereby the illusion of moviemaking.

Great location sound is the biggest secret to great looking footage. And since capturing quality sound is in some ways more challenging than capturing quality visuals, we’re going to give you a few secrets and tips on recording location audio.



Why is motion in my DVDs so “jittery” and “stroby”?

This seems like a popular question lately, here is a likely culprit:

In Compressor 2.0, all Apple’s supplied presets seem to have Field Dominance set to "Top First" (aka "Upper Field First"), as you can see here. I went through a few and they were all set this way.

Since DV camcorders capture video lower field first, FCP capture presets and sequence presets are lower field first, as they should be, so interlaced fields proceed in order. However, when encoding video with Compressor, the field order is reversed, leading to very unpleasant, …